UNPLANNED DOWNTIME: 12th Oct 23:45
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I have been playing a lot more classical guitar of late.
I always used to go for daddario pro arte. They were ok but always seemed to take an age to settle.
A bit annoyed with them I tried some Augustine classic blue high tension.
Straight off the bat the hold tune so much better and sound decent.
Does anyone have any additional recommendations for my next restring?
The Bigsby was the first successful design of what is now called a
whammy bar or tremolo arm, although vibrato is the technically correct
term for the musical effect it produces. In standard usage, tremolo is a
rapid fluctuation of the volume of a note, while vibrato is a
fluctuation in pitch. The origin of this nonstandard usage of the term
by electric guitarists is attributed to Leo Fender, who also used the
term “vibrato” to refer to what is really a tremolo effect.
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For standard nylon sets I usually prefer Savarez 520R - normal tension for a normal full-size scale length. However, it isn't an issue if I have to use D'Addario Pro Arte EJ45's (I prefer the Savarez basses). The D'Addario's actually sound much better on my only all-plywood guitar - a restored 60 yr-old Giannini 104 which I love.
For fluorocarbon sets I prefer Savarez Alliance - but I find fluorocarbon trebles a bit too in your face on normal classical guitars. However, they work well on lattice-braced models and more heavily built crossovers.
D'Addario Titanium nylon treble sets I've found work well on silent and small-bodied guitars. They go in the same tonal direction as fluorocarbons but are a bit gentler. I've got an extra hard tension set on my Frameworks silent and no other set has come close.
I have a lovely Romero Creations Baritone (E-e) Guilele (21" scale like a 1/2 size guitar) and use the recommended Pepe Romero string set on that which I believe is made by La Bella. To my ear, these fluorocarbons sound and feel much mellower than D'Addario and Savarez fluorocarbon sets.
I did once try a Savarez set with wound trebles following a recommendation. A very interesting and different sound with plenty of percussive attack but also a rapid decay which would probably have suited flamenco.
I've never tried Augustine but I have a new handmade Mexican guitar (630mm scale) due to arrive shortly from the US which has been strung with them.
I've occasionally resorted to the cheaper strings you see on Amazon from unrecognised brands. They have generally been OK but they aren't much cheaper than the standard strings from well-known brands and , in my opinion, are inferior and a bit one-dimensional (although the ones that I've tried have settled down quickly).
I don't think there is any conclusion you can draw from the above. However, it is worth experimenting as the right string set can make a huge difference to a nylon-strung guitar.
Having probably confused everyone I'm now off to bed!!
Now I don't. AFAIK the intonation is better on less tight strings btw
I'd say try some carbon strings if you haven't already, but be very careful fitting them, they can slip out and damage your soundboard, they need twice as many twists
I'd say phone the London Guitar studio and chat through their ranges, she knows a lot, and will probably be able to advise based on your style and current instrument