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ok maybe just me. But no
These feel like normal strings. I mean, smoother, but my old strings were heading to their 7th birthday so more rust than anything. These don't feel like elixirs for sure. It's these.
https://www.stewmac.com/strings-and-accessories/strings/acoustic-guitar-strings/daddario-exp-phosphor-bronze-acoustic-guitar-strings.html?utm_source=google&utm_medium=shopping&utm_campaign=2021-01-gp&pref_currency=P&shipcalc=UK&gclid=CjwKCAiA_9r_BRBZEiwAHZ_v1x7EBmPZKWW9maTErUT1ZQiC3BPzVNNTRby7E9df3OAZVbbhgowzhhoCNNYQAvD_BwE
I like just worn in PB or very worn out bronze ones, really really nice
I brought an old Supertone out of the attic and had to rub the strings over with a scotch pad to stop my skin tearing on them. Good times
https://www.amazon.co.uk/gp/product/B0014STI7S/ref=ppx_yo_dt_b_search_asin_title?ie=UTF8&psc=1
Have used monel strings on my mandolin and liked them. A big plus is that they seem to last for ages.
Anyone tried the retros?
The only ones I can stand are DR Dragon Skin, but I still don’t like them as much as any uncoated strings I can think of.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Bandcamp
Spotify, Apple et al
These daddario ones don't seem awful, but they still have a bit of that... Slight slippiness to them.
I am glad I only ordered one pack - in error - I don't think I'll go for them again.
I'll let you know what I get in a few years time
Won't let them near my acoustic. Zingy, too much treble, horrible sound in general.
I use martin lifespan on my acoustic
So the moral is, probably, strings are both a very personal thing and depend on the instrument they're put on. For the same gauge and manufacturer the monels felt heavier, quieter and less comfortable to play.
http://www.theboxwoodchessmen.com/
https://www.facebook.com/tingiants/?view_public_for=231700547508938
I've just bought another guitar (that I neither need nor have room for) and it came with Elixirs on it. They don't sound bad and they feel great but the guitar is all mahogany and I just expected a slightly different sound. So, not sure if it's the strings or if the "all hog" experience isn't quite what I was expecting.
Not that the sound is bad, it's just closer to my other, spruce topped, guitars than I would have thought. That said, I was a bit worried it would be too dull/dry sounding and that's definitely not the case.
I'm too stingy to throw away perfectly good strings so I'll stick with the Elixirs until they fall foul of health & safety regulations then maybe try the Retros.
My Yamaha dread probably needs restringing first and I was thinking of going up to 13s to see if they'll drive the sturdy beast a bit more. However the fact that @drofluf finds them on the heavier side may influence me to stick with 12s!
Oh, and @Gandalph - I've never tried a Waterloo but I've admired both the look and sound on many YouTube videos. Interesting about them sounding better on what is, I suppose, a "retro" type of guitar.
Big wisdoms also to @thermionic - it seems that any given acoustic, far more than an electric, seems to "prefer" a particular string type. I can just bung D'Addario 10s on any F or G type guitar and they sound great.
EDIT:
And just to keep the thread on track, here's Mark O'Connor, one of those terrifying gods of music, playing his old D-28 with 20 year-old strings! Looks like @ThePrettyDamned just needed to wait another 14 years for his set to settle in!
Always take acoustic string recommendations with a pinch of salt unless it's from someone who's very familiar with the same guitar.
Sounds nicer for picking and fingerpicking than strumming at the moment. But it's a cheap guitar, it'll never sound stunning - I must say, for feel, these are the nicest coated strings I've tried, they don't feel slimy or slick, just smoother than regular strings. Be interesting to see how they age.
...and, presumably, the sound you are after.
A hard pickin' ol' bluegrasser may have different tonal outcomes in mind compared to, say, a celtic fingerpicker.