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Also, on the factory guitars, Gibson still fit the wraparound bridge that doesn't fit snugly into the bridge posts so under tension it rises from the back at an angle as there is a gap between the bridge thickness and the slot in the bridge posts.
I really like the idea of an SG and love the look but really can't bond with the left shifted fingerboard that starts at the edge of the body. No more SGs for me, I would take a Tele over an SG.
I think it’s great. Light , resonant, nice fast neck , sounds great.
I thought I’d weigh in, I’m regards to Gordon Smith.
I have a 1965 Gibson Sg with P90s, a Gordon Smith GS1 with a P90 & tuneomatic bridge and a Gordon Smith GS1000 with humbucker and a Gotoh 501 wraparound tailpiece - both Auden era.
They’re all great guitars but my grab and go is the GS1 which also has a 44mm full thickness body and it’s a cracking bit of kit, for what the Gibson SG junior costs new you can spec out your very own Gordon Smith and customise at the factory with everything you want apart from a brass nut. I myself have never found this an issue and really like em.
The GS was designed from the Gibson Jr but obviously with its own flair to avoid any lawsuits.
I’d advise to go for the thick profile neck option which is more along the lines of a medium C profile but this can vary slightly as each neck his hand shaped.
I’m a Gordon Smith convert from Gibson and won’t be looking back.
Hope this helps you?
Flexibility wise you can play with the volume and tone to get loads of different sounds. Even where you pick can have an effect on the tone.
I don't have a problem with the bridges on them, you can get the intonation with the lightning bolt bridges close enough for my ears. I didn't notice the lean on the bridge that the earlier poster mentioned. Mojoaxe do a replacement bridge for the SG which is only around $50 USD which I suspect will be much better machined than the stock one.
I like single pickup guitars so I'm a sucker for juniors, be they SGs or LPs.
Now if they'd only release a junior and a special in polaris white...
Shop models and I was really surprised how good they were as I didn't expect them to as good as what they are !
I know lots of people will pull these guitar to pieces but they are better than the originals . Gibson admitted fret placement
was a bit suspect on the originals and have addressed this on the Original series.
I use 11-49 D'Addario strings my action is 4/64ths on low and high E strings and they play really well and intonation if fine.
If you don't like the bridge you can retrofit with something else.
The only mod I have done to both my guitars is fitting volume pointers so I can see my settings.
If you can buy the Gibson the fret work is better unless you you can level and crown frets.
Also you get the case.
Here are my Juniors.
Can I ask - do you find much difference in terms of playability or sound between the LP and SG juniors
I bought the LP Junior first and to me through a good amp it sounds very tele like.
The SG seems to be more resonant and I think this is due to the thinner body giving the guitar more string vibration.
The neck on the SG is a bit like my PRS DGT Mahogany Standard so it's not skinny and a can't detect any neck flap
probably because I use the 11-49 Strings.
The LP I would describe as being a more rigid guitar because the neck goes farther into the body also it has a thicker
neck but nothing drastic I have various guitars and don't mind different size necks it's all part of the guitars charm.
I think the neck to body angle is more shallow on the SG but that was always the case with the originals.
I did balance the pole piece height to the radius of the finger board.
I know a lot of people have issues with SG neck dive but it balances OK for me .There are ways to address neck dive.
To me they play the same but it's obvious neck access is better on the SG. I don't have a preference between the two
guitars. Hope this helps.
I've got two Gordon Smiths: A 2018 GS1000 which was custom made with my own choice of colour, ebony fret board, locking tuners and tune-o-matic + stop bar. Even with those upgrades it came in at less than the price of a Gibson USA SG Junior, and it's remained one of my favourite guitars since I got it.
Second is a 2022 SGT - a good sign of the degree of customisation available, it's basically a Tele with an SG body. I sent my idea to them one morning, had the spec sorted and the guitar ordered by the early afternoon. It's been getting most of my play time since it arrived.
I've loved SGs since I first picked up a guitar, but I've fallen out of love with Gibson.
FWIW, I had a ‘62 LP (SG) Jr w’/vibrola at one point. That was a stonking guitar with an utterly superb tone and vibe - I foolishly traded it away though I’ve played a couple of more recent ones since and they capture the general feel, though I feel the pickups and harness leave room for improvement/personalisation to taste - Mojo Pickups are my go-to for P90 types, but I’m sure that OCP and others do great versions too. I expect I’ll make an SG Jr/Special sometime next year as it’s now been a few years since I last had one.
As for "when am I ready?" You'll never be ready. It works in reverse, you become ready by doing it. - pmbomb