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UNPLANNED DOWNTIME: 12th Oct 23:45

What Y'all learning?

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  • I did start on I Fought the Law But the Law Won but the Clash version has about 4 guitar lines so it sounds a bit pathetic on the solo parts when I do it. They are composed little bits so I can't do my usual make a bluesy noise with some double stop bends. So I either need to find a way to do them at least as double stops or just invest in a fuzz pedal or something!

    I do that that one in a single guitar line-up @erictheweary, tricky one to avoid sounding empty so I just go for maximum filth. We've never recorded us playing it so I've no idea how it actually sounds in the band context...might well be rubbish!
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  • ftumch said:
    I've been asked to learn 'devil went down to Georgia' for next week. I've only heard it a couple of times so don't really know the song that well, better give it a listen me thinks.
    @ftumch check out Keith Urban's version Devil Went Down To Nashville, it's got crazy train and a bunch of other riffs in the middle. That guy can play



    I've got to learn John Legend

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  • close2uclose2u Frets: 997
    Grunfeld said:
    We started playing the Journey song a couple of months ago and it's a bit Marmite with the audience but when it works it works really well so I've got into it on that basis.  We have only one guitar in the band so we've split the keyboards with the bass taking the left hand line and I do the right hand.  And the easiest way I found with that lick is to leave it out!  (tapping it was the other cheat way too, quite easy like that.)

    Never noticed the Only Ones similarity though so I'll have a listen to that! :-)

    I've never really liked it myself ... so have never even contemplated bothering to learn it ... now that I am I can appreciate smoe of the riffs n stuff ... though it's still not exactly amongst my favourites.

    The band I'm having a try out with has a keyboard player and he has gigged this song so I'll have to see what he plays and figure out what I will play / leave out.

    I'm not sure I understand what you wrote ... you have no keys so you and the bassist play the parts between the two of you?

     

     

    Enjoy The Only Ones ... imho it knocks the socks off Don't Stop Believing.

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  • I did start on I Fought the Law But the Law Won but the Clash version has about 4 guitar lines so it sounds a bit pathetic on the solo parts when I do it. They are composed little bits so I can't do my usual make a bluesy noise with some double stop bends. So I either need to find a way to do them at least as double stops or just invest in a fuzz pedal or something!

    I do that that one in a single guitar line-up @erictheweary, tricky one to avoid sounding empty so I just go for maximum filth. We've never recorded us playing it so I've no idea how it actually sounds in the band context...might well be rubbish!
    I've tried making it double stops with a fifth above or below the note and it just doesn't sound right, nor do thirds even though there is some kind of harmony thing going on on the original.Based on playing it at home a bit of slapback seems to help.
    Also doing Should I Stay by them which is great for one guitar and couldn't be much easier except I haven't got the timing on the outro section right once yet! I played it in my first ever band and don't recall having this problem, so I appear to have regressed.
    X_X
    I’ll handle this Violet, you take your three hour break. 
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  • ftumchftumch Frets: 673
    benvall said:
    ftumch said:
    I've been asked to learn 'devil went down to Georgia' for next week. I've only heard it a couple of times so don't really know the song that well, better give it a listen me thinks.
    @ftumch check out Keith Urban's version Devil Went Down To Nashville, it's got crazy train and a bunch of other riffs in the middle. That guy can play



    I've got to learn John Legend


    That's great, I love how he's just having fun with it. after listening to it I'd written it off as beyond my abilities but I think I might just give it a go and make it mine rather than trying to learn it to the original. Cheers for that.
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  • I have fond memories of seeing The Levellers play Devil Went Down to Georgia, although the fiddle parts were done by, err, a fiddle.
    I’ll handle this Violet, you take your three hour break. 
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  • ftumchftumch Frets: 673
    I've got a bee in my wotsit about 'the devil went down' now and I'm gonna learn it even if it does take me a year. I'm at about 190bpm on the intro so 15 mins a day trying to get my speed up, it's probably the kick up the arse I need tbh, I've gotten so lazy with practising its no wonder I never get any better but I'm gonna do this.
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  • jaygtrjaygtr Frets: 218
    Is that a 6 saddle bridge on Keith urbans tele?

    He obviously doesn't spend enough time on Internet forums!
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  • I had half an hour and thought I should look at something, so been learning to strum through Nelly the Elephant by the Toy Dolls. There are several chords!
    I’ll handle this Violet, you take your three hour break. 
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  • mike_lmike_l Frets: 5698

    Just for S'n'G I did learn Ac/DC's The Jack this evening.

    Nothing particularly hard

     

    Ringleader of the Cambridge cartel, pedal champ and king of the dirt boxes (down to 21) 

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  • I'm working on getting a new scale down so I can add a guitar solo to the outro of a song I'm writing.  I don't want it to sound like my usual pattern based pentatonic so I found this "Persian" scale that has a flat 5th:  E - F - G# - A - Bflat - C - Eflat .  It's taking me right out of my comfort zone but the more I work on it the more I like how exotic it sounds.  I miss the natural 5th something awful, but I know that's one of my fall back touchstones and I need to break away from it.

    “Theory is something that is written down after the music has been made so we can explain it to others”– Levi Clay


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  • Well seeing as I'm broke, single and have a lot of Breaking Bad to watch, my evenings are spent with the real book and a list of scales. I'm also teaching myself to sight read so last night I learned "Take the A train". I figure I'll become a jazz musician and cook up my own crystal, don't want to be getting ripped off by no harlem street hustler!
    "As with all things, some days you're the dinosaur, some days you're the monkey." Sporky
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  • I am working my way through AC/DC's Back in Black and Highway to Hell at the moment - yeah I know, these are staples and I should have known them a long time ago. 

    Truth is, I knew the basic riffs but this is the first time I am trying to learn the whole song all the way through note for note. I am finding the finger stretches on the bridge frustratingly difficult for me to pull off, lol. Other than that they are pretty darn simple, but extremely cool sounding with decent backing tracks :)
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  • GrunfeldGrunfeld Frets: 3950
    close2u said:
    The band I'm having a try out with has a keyboard player and he has gigged this song so I'll have to see what he plays and figure out what I will play / leave out.

    I'm not sure I understand what you wrote ... you have no keys so you and the bassist play the parts between the two of you?

     

    This only applies to the intro:  If you've got a keys player he will handle all the piano parts of the intro, and you get to do the quick guitar lick.  I don't get to do that.  I play the two note figures that the keys are doing with the right hand, and the bass player does that melodic bass line that the keys are doing with the left hand.  The little guitar flourish in the intro I leave and the drummer hits a cymbal at that point.  It's amazing how, if you're familiar with the song already, you just fill in the missing detail.  It's not perfect but it works, and it saves having to feed a keyboard player. :-)
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  • mike_lmike_l Frets: 5698

    I've started (for about the 100th time) to learn the solo's from Comfortably Numb.... :-O

    Still working on Little Wing too....:)

    Can I learn one before I go on holibobs?

     

    Odds @ Mikes bookies say no

    Ringleader of the Cambridge cartel, pedal champ and king of the dirt boxes (down to 21) 

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  • ddloopingddlooping Frets: 325
    edited September 2013
    jaygtr said:
    Is that a 6 saddle bridge on Keith urbans tele?

    He obviously doesn't spend enough time on Internet forums!
    Your guitar sounded perfectly fine with 6 saddles. :)
    close2u;26835" said:
    Fleetwood Mac - Dreams (any tips on the fade in / out fx he gets on that one for some of those little melodic fills?)The Cult - She Sells Sanctuary
    Volume knob on the guitar or volume pedal. :)

    Edit: it looks like he's using a pedal...


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  • Learning Mr Brightside on guitar at the moment. Great song but a total bugger to play
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  • davewwdaveww Frets: 165
    @David5150 agreed.  I find that alternate picking on the 16th fret a bugger as well.  I never quite learnt to play those types of riff.  I tend to finger-pick them when I can.  I guess lots of repetition is the key.  The rest is quite easy.

    I'm having a go at Tommy Emanuelles version of Amazing Grace now.  Great song to play.
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  • Head and solo on George Benson's version of Billies Bounce.  After a fair bit of work I can play it through  without too much risk of clams at around 10% slower than the recording, just need repetition to get it up to speed.  Great solo by my current favourite player.

    “To a man with a hammer every problem looks like a nail.”
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  • Capricho Arabe, pretending to be a classical guitarist again, kind of difficult when my fretting hand keeps freaking out and i'm lazy.
    PSN id : snakey33stoo
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  • @David5150 I've learnt brightside two ways, the stand tuning and my lazy way for playing it live. Tune the guitar to Eb Ab Db Ab Db Eb, low to high, then bar the 3 highest 12th fret with your 3rd finger and move the bass note using your first and second fingers. It doesn't have the open string but live it sounds ok.
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  • benvall said:
    @David5150 I've learnt brightside two ways, the stand tuning and my lazy way for playing it live. Tune the guitar to Eb Ab Db Ab Db Eb, low to high, then bar the 3 highest 12th fret with your 3rd finger and move the bass note using your first and second fingers. It doesn't have the open string but live it sounds ok.
    Good skills - will give it a go.

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  • Head and solo on George Benson's version of Billies Bounce.  After a fair bit of work I can play it through  without too much risk of clams at around 10% slower than the recording, just need repetition to get it up to speed.  Great solo by my current favourite player.

    I've learned the head as it's an audition requirement for a course I'm interested in but I've not heard Benson's version yet. If it's anything like his "So what" it'll be insane! I "learned" Cantaloupe Islands last night as in I can play the right notes with almost the right feel but any solos I tried were a bag of sh*te! Hopefully I just need to get all the band notes out before I find some good ones. Next on my list is Horace Silver's "Song for my father".
    "As with all things, some days you're the dinosaur, some days you're the monkey." Sporky
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  • BlueingreenBlueingreen Frets: 2506
    edited September 2013
    The Benson version is quite a bit zippier than the Parker version, although by Benson's standards it's certainly not blistering.  It's worth checking out if it's an audition piece for you, because if whoever's auditioning is a guitar player it's odds on he'll know the Benson version and there's maybe a Brownie point or two in showing you do as well. I love Benson's version of So What but never really attempted to get to grips with it although I do have a transcription.  Maybe someday.

    Incidentally, there's a good book by Mike Di LIddo (Maiden Voyage) that has some nice basic comping ideas for "Song for my father".
    “To a man with a hammer every problem looks like a nail.”
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  • mike_lmike_l Frets: 5698
    mike_l;35567" said:
    I've started (for about the 100th time) to learn the solo's from Comfortably Numb.... :-O

    got the first phrase learned, more tomorrow

    Ringleader of the Cambridge cartel, pedal champ and king of the dirt boxes (down to 21) 

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  • I can now put Bob Marley "Waiting in Vain" in the "Out Tray", beautiful tune.

    Oh, and "Car Wash" by Rose Royce, what's wrong with a bit of Disco anyway?

     

    :D
    And they said that in our time, all that's good will fall from grace, even Saints would turn their face, in our time.
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  • close2uclose2u Frets: 997
    edited September 2013

    I met with some new musicians yesterday with a view to beginning something band-like ...

    so over the next few weeks I'm learning

    Long Train Running
    Superstition
    Play That Funky Music
    Valerie
    We Are Family
    You Can't Hurry Love

    yup - it's funky r&b time folks

    ;)

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  • jd0272jd0272 Frets: 3867
    Beating Around The Bush. Not that there's much to it. Psycho Killer, again, not much to that either. A common theme in our band it seems ;)
    "You do all the 'widdly widdly' bits, and just leave the hard stuff to me."
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  • close2u said:

    I met with some new musicians yesterday with a view to beginning something band-like ...

    so over the next few weeks I'm learning

    Long Train Running
    Superstition
    Play That Funky Music
    Valerie
    We Are Family
    You Can't Hurry Love

    yup - it's funky r&b time folks

    ;)


    Nice one, exactly the direction I'd like to go with a Cover Band.
    And they said that in our time, all that's good will fall from grace, even Saints would turn their face, in our time.
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  • HAL9000HAL9000 Frets: 9107
    Currently working through Floyd's Learning to Fly - easy enough to play the chords but having trouble getting my head (and fingers for that matter) round the fills.
    I play guitar because I enjoy it rather than because I’m any good at it
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