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But when you start to analyse songs from say the Beatles, you get constantly confused as they may borrow chord from a parallel mode.
You think you may be safe say in C major with a chord progression of C Em F G and back to C then all of a sudden in the next verse Em is substituted with Eb Major from a parallel mode (either C Dorian/Phrygian/Aeolian) or the Eb leads into the Em chord