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Reading around, it's a stiffer wood, and harder to make work for fingerstyle, especially on larger-bodied guitars
In George's case,, his bracing designs and, like Stefan and all top builders a respect for the wood they are using. Interestingly, the fact that George designed Bensusan's newer Adi sig model as an F sized guitar, rather than Pierre's cedar topped O size "old lady", would suggest that he goes along with smaller works better for Adi within his design parameters. If you get a chance try the PB sig, would be interesting to know what you think.
I think in this video he said it took a lot of playing and 2 years to open up
im deciding that lowden is my best bet as there are so many around and I have always loved them. Eric Roche taught me at ACM and to hear his lowden for the first time was a very memorable moment.
lowden S or F shape, bevel or FM.
need to go and try
spruce/mahogany - best to hear percussive sounds, pickups well, sensitive to dynamics
cedar/walnut - most clarity for fingerstyle
redwood/Blackwood - best all rounder for warmth and clarity
spruce/rosewood - most versatile, has bold sound than can work well with vocals and solo guitar, good headroom for flat picking, Deeper bass and metallic Highs compared to spruce/mahogany
If you are after a small bodied guitar, Brook make some of the best sounding small guitars I've heard. They are another British builder worth looking into. Their standard neck profile won't be to everyone's taste (shallow neck with flat fingerboard) but I'm sure you could get what you wanted if you custom ordered.
i think how I hold the guitar might help.., classical position with either F Shape with bevel or buy an FM which is much less depth.
i think the bevel option will give me the depth of sound but easier on the right hand. PB actually talks about how he started to have neck aches and arm problems and his sig was designed on helping him.
or there is the S shape shorter scale length also better for RSI?
I'd recommend buying this first anyway:
On a comfy settee with a small guitar, I use it on my right leg, and cross my legs
With a larger guitar I use it slightly further from me to not raise the guitar, and usually don't cross my legs
with this, I get a lot less problems with aches and pains playing guitar, and no longer need to workon positioning the guitar whilst playing
I still feel less tired, and a whole lot more comfortable with a fuller neck these days as opposed to a slim C shape.
However, the use of good playing technique with a properly set-up guitar and the use of a good guitar support (like the Dynarette) could help greatly. For greatest benefit, both feet should be flat on the ground when using a support.
The Dynarette is probably the most flexible for switching between different guitars but I think the leather Neck-up is more flexible in adjustment for a particular guitar. I'm also just experimenting with a wooden Playwood support which I think will work well with a couple of simple modifications.
After trying them, I avoid the metal supports commonly used in classical circles as it is too easy to end up scratching the guitar's side without care.