Query failed: connection to localhost:9312 failed (errno=111, msg=Connection refused). 5 Patterns of Major & Minor Pentatonic Scales using CAGED (or EDCAG) - Theory Discussions on The Fretboard
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UNPLANNED DOWNTIME: 12th Oct 23:45

5 Patterns of Major & Minor Pentatonic Scales using CAGED (or EDCAG)

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  • GuyBodenGuyBoden Frets: 724
    Clarky said:

    if the music changes key with greater regularity [like in jazz for example where you can change key on each beat of the bar] I find that there's not enough time to settle into that linear view of the neck.. so it makes more sense to learn the chord progression and solo around the chord shapes themselves.. so it's like having a more compact 'view' of the neck locally around the chord..
    Very good point, most of the old Jazzers played chord based CAGED type fingerings. The chords can be visualised using 3NPS, but it's not as easy, you have to see the notes that make a chord not a chord shape.
    "Music makes the rules, music is not made from the rules."
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