UNPLANNED DOWNTIME: 12th Oct 23:45
NGD Update - Avalon Ard Ri - S7-OAKC lefty
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I took delivery of this little beauty a couple of days ago.
It is a small-bodied Avalon 12-fretter - Sinker redwood top, bog oak back and sides with a cutaway, 46mm nut width and a tree of life 12th fret inlay.
TIme from order to delivery was around 11 weeks with an updated photo library to keep me informed of progress along the way.
Even as a brand new guitar out of the case it sounds fantastic - with a much louder, more resonant and more complex tone than I was expecting - like no other guitar I've played before.
To maintain domestic harmony I had to part company with my beloved Avalon L2-20 lefty - but this more than makes up for it.
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Why did you choose a small body?
And did you consider a Florentine cutaway?
How do you find it compared to the jumbo?
Looks brilliant!! Sound clips!!
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Regarding the cutaway, I personally preferred the rounded lines of a conventional cutaway to a Florentine.
Does cutaway really give you better access to the higher frets? @ToneControl was telling me a 12-fretter with cutaway is probably preferable to a 14 fret full body in terms of sound. How do you find it?
I am REALLY surprised just how much sound the L bodies produce. I mean, it's so loud I actually think it could damage my hearing ... !
I want to see and hear more of this!
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It feels a little different to the jumbo but they are both equally comfortable. As you'd probably expect, this is more comfortable in standard classical position (which I frequently employ using a Neck-up support or a Dynarette cushion).
Sound clips may follow in due course if I'm feeling brave!
So many Avalons lately!
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What is the width of the guitar at the lower bout? Some superb guitar makers coming out of NI right out. I'd say Avalon are quite well known but IMO Ciaran McNally seems to be the best kept secret for now, but I can't see that being the way for that much longer.
12 fret vs 14 frets have their pros and cons aside from the obvious (ie more/less frets). I myself wouldn't put one above another for being better sounding, each design has occasions where it is better or worse suited and it's about finding the one that suits you the best. I have nice 00's in 12 and 14 fret configurations, and I find myself preferring certain guitars for certain pieces.
Man, there are just too many good builders.
I very rarely GAS but when I do starts, I find it hard to stop.
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https://4.imimg.com/data4/KF/FN/MY-12342495/phone-pad-slip-mat-500x500.jpg
I don't normally use the Dynarette for the Dreadnoughts though!
Lower bout width - 370mm (upper bout - 272mm)
The bridge on 12 fretters is pushed back to accomodate the scale length thereby increasing the string vibration length above the soundboard. This can provided a more rounded tone and improved bass response. The effect is more noticeable on smaller body guitars due to the proportional impact on a small sounboard area. A cutaway certainly improves the access to the higher frets - that 's what it is there for. Personally I can't see any difference in high fret access between a Venetian (rounded) or Florentine (sharp) cutaway
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I wasn't actually looking for another guitar when I ordered this one (I've already got a custom Brook Taw being built), but when I heard Avalon had some nice bog oak sets there was no stopping me.
There was some worry about breaking the news of another guitar to Mrs.GTC which is why I've reluctantly sold my Avalon L2-20 - which is probably the finest all-rounder workhorse I've played, but not irreplaceable like some of my other guitars.
I'm wondering about African blackwood now
Or maybe I'm talking BS.
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African blackwood is the next most expensive after Brazilian rosewood
"700" is the code
This is such a compact looking guitar, given the 12-fret nature and the smaller body. OP has gone from a jumbo to an S!
I'd love to try an S-model..!!
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I was delighted with the guitar (to put it mildly) but was concerned about some minor scuffing on the oak back. This appeared to have been caused by the case being slightly oversize and the guitar sliding about in transit against the document pack underneath.
I e-mailed Avalon on a Sunday evening about this - before 10 am the next day they had organised a DPD pickup that day for return. On the following Thursday, I had a call to say the scuffing had been sorted and they were returning the guitar to me. The batch of six S-body cases they had received from Hiscox were of the wrong model and the correct replacements had been ordered but they were on a six week lead time. So - the Managing Director shipped the guitar back to me in his wife's S-body case and this is a perfect fit. A swap will be arranged when the new Hiscox cases come in.
It should be noted that both the final inspection and packing of guitars for shipment are normally carried out by the MD, Steve. However, my original shipment was one of the rare occasions when he wasn't able to do this for understandable reasons. I understand that steps have now been taken to ensure something like this doesn't happen again
The guitar is now back with me and looks and sounds even better than I remembered it. Well done Avalon!
I've included a few additional photos taken by Avalon - including the tonewoods at the start of the construction.
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And how you tried any McIlroy's?
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Happy NGD mate
Sorry - don't do recordings.
There will be a couple of NGD's on the way from me in due course. Ace Glastonbury luthier Alan Miller is currently building me a classical harp guitar with 8 super trebles and 8 sub basses. I'm also in the queue for a custom Brook Weaver (steel strung). I made the mistake of accompanying a friend down to see them and was smitten by Simon's Weaver. This will be rather special with some custom inlays (Jack) on the headstock and around the 12th fret in memory of my wife who lost her battle with cancer on Boxing Day.