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Perhaps it was a bad batch, I cant say for sure. I tried 5 or 6 of them and I was honestly underwhelmed. YMMV and all that jazz.
It was good but not outstanding, unlike the Avalon one I now own
Avalon are probably the best value for top-level guitars, especially when buying used
Just to calibrate your statement, what other brands have you tried against Martin and Taylor? I can think of half a dozen brands that are way better
Regarding the Atkin thing - I get that relic jobs are not for everyone. Not for me, but I appreciate there's a market. I've handled a couple and they've both been excellent, about 6 years apart in build age. I imagine his earlier work was not up to the standard of today's stuff. I've also handled some very high end instruments, Collings, santa cruz, 7-15k gems at the north americanorth american guitar and fit and finish wise, at least the Atkin I own is excellent and compares very favourably. It's not as refined as some intricate luthier work nor is it perhaps as polished as a Collings but we're talking about instruments that retail at half of what a good Collings costs and far less on the used market.
Fret-job on mine is excellent. No defects, hidden edges, superbly finished. Perhaps what @Moe_Zambeek referred to was a dud, but I've not handled 15 Atkins so I don't have an established baseline.
I played one very good Martin, out of maybe 5 or 6 Martin's I played and it was a late 80s D28. I owned a more recent D16 which was fine but uninteresting. Furch D22cm did rounds on it.
I digress, not sure how this is of any help at all to OP and his quest for a PJE, but I stand by my advice. Play as much as you can side by side, handle them, look at the binding work, the weight, glue runoff in the construction, neck joint, wood choice etc and find the guitar that speaks to you, irrespective of what's on the headstock. I know this is easier said than done, especially as a member of a GAS fuelled forum where residual values really matter if you are on hopelessly long term quest to find 'the one'. I once had and sold 'the one'. In hindsight it was a lesson as I now have a really good benchmark and have discovered that there are equally excellent guitars to be had just a few lumps of wood down the line.
cheers
However I had an issue with the saddle but was offered a replacement without question but due to high demand it would be a 2-3month wait for another. My local shop suggested I try the Neptune as it has a bit more bass in it and they suggested it had a better sound than the Venus.
Long story shorter, while trying the Neptune I picked up a PJE Legacy Earth and was gobsmacked at how much better the sound was, the torrefied spruce really gave it an aged sound, I walked out the shop with that one and it's been my go to acoustic ever since.
I am going to check out Atkin's now though but just a final thought, if you don't want to lose money on potential resale later, why don't you buy second hand, unless you know you're buying a future collectors item you will always lose a big chunk when buying new?
It’s the J45 type I’m after which led me to the PJE Kanuga and this post. Anyhow, what’re the views on here of those that have tried them. And it’s back to my original budget of 1k for a mint one.
Cheers all
I think you've kind of summed it up, you can't remember having a strong opinion of them. They're nothing ground breaking.
To be honest I didn't think much to the collings I tried either, controversial I know.