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Strange thing was that the DPD driver asked me if it was a guitar - and said that on an earlier delivery of another guitar to a neighbouring village he was asked if he also had a guitar for me (referring to me and my village by name). Weird!
https://www.ebay.co.uk/itm/274145795644?ul_noapp=true
tbh I'm not impressed, they all sounded very boxy. OOTB setup was pretty awful, but that's just playability issue that can be resolved, although they had a very high action even for new guitars.
I compared with some Lowden S models in the shop, which were light years away in tone. My Avalon S size at home is up another level from the Lowdens
I'd say the blueridge acoustics I've played sounded better than the Sheerans
I was hoping/expecting that the (albeit CNC-based) production lines being in the UK would be producing guitars closer to the Lowden/Avalon benchmark, with the shortcuts being cosmetic. i.e. real competition for Korea, Indonesia
I had thought that the lack of (human time consuming) adaptation to the individual pieces of wood in each guitar might be a tough obstacle, but assumed that Lowden had found a way to mitigate this.
I wouldn't want to be playing one of these unplugged, I guess it would be OK on stage.
Is the name on the headstock going to help or hinder sales? I usually avoid signature models, am I alone in that?
http://www.theboxwoodchessmen.com/
https://www.facebook.com/tingiants/?view_public_for=231700547508938
I'm stilled annoyed over the nut width which is advertised in the Lowden specs with the same standard dimensions as a Wee Lowden (45mm) but is less (43.5mm). I told them about this and nothing was done.
I'm surprised these are still being sold.
I can't understand how they ever thought they could compete with SE Asia at that price point!
I was expecting less difference in tone, given the info publicised: I had thought it would be a reduction in cosmetic appearance, but most of the Lowden sound still evident