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I may have to investigate the Baggs iBeam passive, since I really don't like the Fishman UST it currently has.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I've gigged mine a few times at decent volumes with monitors and had no issues, just guitar straight into an Orchid Muting DI and then the desk.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Whatever you do, though, I'd certainly suggest a K&K preamp. It was like night and day for me in taking control of my sound and not being at the mercy of whatever you get asked to plug into. Pedal-sized, so fits on a board if you want to. It makes your sound consistently good and acoustic-like (your playing, however, may vary...). I've got the XLR version.
Singer / guitarist in one of the bands I play in has this system in his Santa Cruz.
He uses it with an LR Baggs Venue DI.
We've got excellent results with this system.
To my ears it sound much better than an under saddle piezo.
As with any acoustic pickup system it benefits from careful eq.
I've had a look at the K&K pre-amps, and they seemed OK, but lacking in features, eg notch filter, phase inversion, swept mid control.
I have the K&K in my Avalon and it sounds very good. I also use the Venue DI, which I managed to pick up for a great price, which when you consider it has a tuner as well as all the other eq'ing options, makes it a bit of a no brainer to be honest.
Having a dread style guitar and the K&K can be overly bassy at times, but a good preamp will help you to shape that a bit better.
I've only had feedback problems once, and that was a certain frequency on a capo'd guitar. I was playing right in front of a wedge at the time, but that was before I had the Venue it has never repeated itself . I am currently the only one playing though so I haven't tested it at the levels needed for a full band
Feedback can be found here http://www.thefretboard.co.uk/discussion/comment/908933#Comment_908933
The typical input impedance of mixing desk is 10k, which is way too low.
High impedance inputs are now appearing on mixing desks, eg the Allen Heath ZED desks have channels switchable to high impedance (10M).
The disadvantage of this approach is that any cabling between the guitar and desk will be prone to picking up noise, so a buffer in the guitar may be a better option.
The K&K seems to prefer an input impedance of about 1M rather than 10M, which increases the range of useful options - including something as simple as a Boss tuner pedal.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson