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I also use EADGAD tuning a lot when playing acoustic as I find it more flexible than DADGAD.
On the question you haven't asked: cedar rather than spruce for fingerpicking
Seriously: If you value it, take/fetch it yourself
I would like to hear the guitar again with a less intrusive reverb treatment.
They both sound equally fantastic, just slightly different.
I wouldn't actually describe either of them as 'strumming', really - the first one is flatpicking, the second is fingerpicking.
Strumming is what I do, when I just thrash away at the chords and hope it sounds vaguely musical... but I use my fingers, not a pick .
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I'm hearing the thumb pick and 'nails' on the second recording, the nails sound a bit thin.
I play with fingertips a JUST enough nail to 'firm up' the finger ends - the notes are not 'made' by the nail so I get a rounder, fuller note - which can be modified.
A nail IS a (thin) pick and invariably sounds like it.
Perhaps, more useful answers might have been derived by asking which of these two playing styles do you think is better served by this instrument? The emphasis should have been firmly on the instrument.
It might have helped even more if the demonstration video had included some vigorous strumming on the same guitar. Never mind if this reveals that the Model C-HO is not built to take aggressive strumming. The information is useful. At the very least, it illustrates that Forster is a good judge of top bracing for specific end uses. Strummers should investigate other models in the range.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I have exactly this issue with my Stonebridge grand auditorium. Lam into it and something in the soundboard/bracing area produces a nasty overtone that resembles electric guitar distortion.
For most of what I do on acoustic guitar, my mid-price Martin dreadnaught is more appropriate.
Again - I'd appreciate a no nails example as I know it's capable of subtlety.
Nil Satis Nisi Optimum
But other times I let the lads play whatever they like. That's what I did here. Ian played his arrangement of another traditional tune and Tom played one of his own compositions called "Through the mill." Lovely tune.
It's nice to know what folk like the sound of better - but I do feel my work works for both fingerstyle and plectrum. Some folk think you have to make a specific type of guitar for each. Well, that might be true. It depends on the results you want. But with my work, and the sound I'm looking for - power, clarity and separation, the musician can get out of it what they are capable of. The guitar sounds very different to my ears when played by Tom compared to Ian - and both are world class players in their respective fields.
My work is also pretty good for strumming too - here is Ian playing a very similar guitar (same soundboard design) but with a regular scale length:
This was recorded years ago with a cheap camcorder. But you should get the idea. If that long scale guitar is still around in a couple of weeks, I'll see if I can get him to record the same tunes. No one can smash the living daylights out of a guitar like Ian Stephenson!
Nigel
http://www.nkforsterguitars.com/instruments/handmade-acoustic-guitar-model-c/
That second tune is another I'll have to learn then... Reminds me a lot of Simpson's 90s instrumental work.
Does he have any CDS etc out there - Google is no good since I keep getting shi*e about the guy who was in McFly.
nigel
www.nkforsterguitars.com