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(Even though I actually prefer my Gibson Dove.)
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
In one word - No
Different guitars are better at different sounds. A Martin dreadnought might be great for some things but it probably won't sound as sweet as an OOO18 for delicate finger picking.
Something with different bracing like a Lowden might be better for "Celtic" kind of stuff.
With very broad brush strokes I tend to find American acoustics heaviour in construction and more suited to strumming, English guitars seem to be lighter in construction and more suited to finger picking, and the Spaniards make the best nylon/classical/flamenco style guitars.
This of course all changes when you plug them in.
Plus, each brand tend to have their signature sound. Not better, just different. Some swear by Martin ,others Collings, others dislike Collings (they'll be along here in a minute.....).
Also, how much do you want to spend? £1k on a Larrivee? £2k on a Martin? £5k on a Santa Cruz? £10k on a Froggy Bottom?
Martin pretty much invented the steel string acoustic and are widely (but not universally) regarded as the benchmark.
A plucked wire stretched over a wooden sounding box is just that - with varying amounts of fundamental vs odd and even harmonic partials.
It's listener preference that determines it's 'niceness'.
I prefer a traditional 'Spanish' sound that u get from nylon strings - but I like to play and compose 'in tunings which does not sit well with the tensions that nylon can be used at - so I play wire strung, which by virtue of the string material - guess what - sounds metallic - no mater what make or how the player plays it - it has the sound of a 'plucked' wire strung instrument.
Sorry for stating the obvious.
Could have been his father was a Gaelic & English teacher from Skye - in the blood like - in other words - the guitar was irrelevant and mor eso the bracing.
didn't Arty McGlyn play a Takamine and Paul Brady a Yammy - way back?
However, I would strongly argue that top-name workshop guitars are almost always better than top-name factory guitars
i.e. Lowden, Avalon, Santa Cruz, Goodall vs Taylor, Martin, Gibson, Larrivee
I play guitar and take photos of stuff. I also like beans on toast.
When played with a plectrum the D28 sounds great and is universally popular with flatpickers, but even small bodied guitars can be made to be effective for this type of playing :
.
Therefore, I'd say it's impossible to generalise that certain guitars are good for certain things.
U got me thinking - I've played 'wire strung' on and of for over fifty yrs - use 13 - 56 most o' that time so at this late stage o' the game - maybe I'm unable to embrace change