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Greetings folks, and apologies for digging up this old nugget. I have a couple of acoustics (old Sigma 12-string, Brook Tavy and Built-at-Baileys dreadnought), none of which have a pickup in them.
I would now like the ability to amplify them, I understand that the K&K Mini is highly regarded, but is limited to install it once and never again. So, what is the current thinking on soundhole pickups? I would like something that can be transferred between guitars rather than a permanent installation.
I do not, as yet, have a dedicated acoustic amplifier, but wondered if the Blackstar TVP would suffice?
Also, is it necessary to have an acoustic pre-amp, or do you just plug straight into the amplifier?
Thanks for any advice,
Adam
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The Blackstar will work, if you set it to the brightest and deepest clean sound, cut most or all of the mids (use the ISF to fine-tune it to what sounds best by ear), and boost the treble. It won't be ideal but it will at least get into the right ballpark.
If you get a soundhole pickup with a built-in preamp - eg the Fishman Rare Earth Active, or the LR Baggs M1A - then you don't need an external preamp. If you get a passive one you may do - although probably less so for going into the Blackstar than if you want to go into the PA at a gig.
None of this is going to give you a studio-quality acoustic sound and won't be very good for recording, but it will give you a usable amplified sound for small gigs or running effects with at home.
I have to admit to liking doing things 'wrong' like this, it usually sounds more interesting and in some ways better than the standard piezo pickup into a full-range PA sound that has become accepted as an 'acoustic guitar sound'.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Thanks ICBM - to be honest I am after something that will sound reasonable and allow amplification. If I ever get to recording something, then I can worry about studio-quality then
What, then, would you recommend as a good soundhole pickup? Or would the Fishman and LR Baggs you mentioned be top of the list?
Cheers,
Adam
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I'd be wary of sound hole pickups. They seem to adversely affect the vibration of the top and acoustic tone of the guitar. I had couple of acoustics that definitely didn't seem to sound quite as good after putting a soundhole pickup in. I seem to remember @gassage taking one out of a guitar and it sounding a lot better afterwards. I did search but can't find the thread.
If you are doing a permanent installation I'd get a K&K, or a basic undersaddle with some kind of external preamp. Also, the plugged in sound from a K&K is better than a soundhole pickup in my experience.
AliGorie - Interesting, as I was under the impression that a cyanoacrylate is used to place the transducers. If using double sided film, then potential for removing relatively easily.
Crunchman - When I get around to a permanent installation, the K&K is top of my list. But in this instance I am looking for something easily transferrable between guitars. Unfortunately, I would have to accept any decrease in sound quality.
Cheers,
Adam
*An Official Foo-Approved guitarist since Sept 2023.
Single-coil magnetics tend to sound a bit more 'acoustic-y' than humbuckers, but they are VERY prone to picking up hums and buzzes.
Perhaps K&K more for lower volume duties, although to be fair you can at least fit in a complete sound hole feedback buster.
I've not had feedback issues with the K&K I have in one of my guitars, but if you are worried about feedback I'd rather have an undersaddle than a soundhole pickup. Based on my experience, an undersaddle with something like a TC Bodyrez to get rid of some of that piezo quack sounds better than a soundhole pickup.
Seriously: If you value it, take/fetch it yourself
http://kksound.com/pdf/puremini.pdf
I remember looking at this option when I was thinking about changing Fishman 322 pickup in my D28.
I'd imagine you'd need a pre amp to go with the pure mini. Which will make it more expensive than the Fishman Rare Earth.
I've gone straight into a PA via an active DI box using a K&K Pure Mini - exactly the same as I would with any other pickup. You need to set the gain a little higher on the desk, but it's been usable and hasn't fed back.
Edit: I've also used it straight into a Fishman Loudbox Mini without a preamp. Easily enough signal to make that work.
I can use my 322 under saddle pickup into an amp with no problem, so I was thinking more for PA.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
the Lowdens (L25) body resonance is low F# / G so just dial it into the TC and yer feedback free.
Slacken 3 strings, unplug the mini jack, undo the Philips screws - take out the p/up and your good to go acoustic on yer sofa.
Oh, I had a small plastic bracket d/s taped to inside of the upper side waist curve to secure the mini f/m jack.
10 minuets to install / uninstall before or after gig.
hope this makes sense.
On my personal guitars I have LR Baggs Anthems and I love them too.
www.theacousticmusicco.co.uk
Not tried the Baggs. On various different guitars over the years, I've had Headway undersaddle, K&K Pure Mini, Fishman Rare Earth, Fishman undersaddle, and Fishman Ellipse blender (undersaddle plus gooseneck mic that you can mix together).
In terms of sound quality, the blender with the combination of undersaddle and mic is the best. That's very expensive though - would probably cost around £250 fitted. I probably wouldn't have gone out and bought it, but it came factory fitted with that guitar.
Of the less expensive ones, the K&K is definitely the best sounding.
www.theacousticmusicco.co.uk