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The Lowden nylon jazz models are superb but take a while to develop a full tone.
Both are built for amplified use though - neither have the full, resonant sound of a top-flight classical guitar.
It felt very unmusical, I think I need a proper acoustic guitar body
I am wondering if a less-traditional approach would help (non-flat fingerboard, better intonation, larger body etc)
https://www.londonguitarstudio.com/guitars-alhambra-crossover-guitars.irc
.
Cordoba make quite a few as well, although I have never tried them.
I have an Alhambra, which is very nice, but it is very much a classical with a cutaway, rather than a crossover.
It's a bit of a compromise to me, I should have just bought a classical non-cutaway non electro (I'm never going to perform classical live) and an electro crossover guitar (I would play other styles live).
The Alhambra does however sound much better acoustically than thinner body crossovers.
What specs are you after e.g. for frets to the body, lower bout, nut width? What is your budget as well?
For crossover instruments for affordable ones Cordoba are very popular amongst players for their crossover instruments.
14 frets
as I said, I had a Ramirez 2 CWE once
VERY slightly radius'd f/b flamenco bracing spruce 'n maple - not bad.
< > £100 on wood and a great experience.
I'm considering Matrix infinity
or a K&K pure mini
I would run this straight into an AxeFx2, which is an excellent preamp for acoustics in my experience
seems after using this approach a simple K&K would do.
https://youtu.be/wCs5xeU_cIg
That sounds good
How do you manage phase issues?
Another trick with the AF2 is the use of IR samples
I have some patches set up that mix in a little "guitar body" IR into a piezo signal, which takes the zing out a bit
Also I set up one using a resonator guitar IR, you can quickly switch to this patch and get a dobro vibe
The main advantage of course is that it's the most comprehensive guitar-oriented EQ I have used. The reverbs and delays are amazing, it has multi-band compressors, and lots of FX that can be used subtly (or not) for acoustic guitar
I was just looking for non-mic this time though
The 1624 was apparently made for steel-string guitarists to transition to and is amazing to play, with a jazz-low action, thin neck and all-round satisfying feel to it. Very thin frets. The 1863AX was my preferred guitar until I got it, but forty years of repair and adjustment have given the 1624 a significant edge in the playing department. It also sounds lovely acoustic, albeit not like a classical guitar (a much plummier, jazzier sound, which happens to be what I want). One good thing about Ovation nylon string guitars is that they have truss rods in them, so the neck can be adjusted like a steel string guitar.
Some advantages the 1863AX has are that it's a super-shallow bowl (the 1624 is sort of mid-depth), which Iike, has a cutaway and came with the fancy pre-amp (the 1624 is passive, though a very satisfying passive).
The odd thing about the 1863AX was that the tuner buttons were a soft plastic that disintegrated within a couple of years. Everything else is pretty sturdy, though.
I sort of swap between them - sometimes I use one for a while, then the other and try to make sure I stagger string changes (which bugger up the tuning for at least a week). I'm tempted to take them both to someone who knows what they're doing and say "Make this [points at 1863AX] play like this [points at 1624]".
Of course, Ovation is a fairly unusual taste, that I just happen to have, but you were asking about something different.
https://www.thomann.de/gb/furch_gn4_cr.htm?glp=1&gclid=EAIaIQobChMIrqO0lYGR2AIVFhMbCh2vQAyIEAQYAiABEgIMXvD_BwE
Avalon Fusion, Spruce top, Auditorium body size, with a K&K mini pickup