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Comments
Silent Guitar?!?!?!?
Easy... take 1 x normal guitar... cut all of its strings...
I had to reduce the bridge height a bit for playability (Easy-peasy - whip it out, sand it a bit on the flat, put it back, try it)
Feedback
Very nice. I had the last version, the newer ones have some kind of body modelling so that it's not just UST to e. But even so mine was very nice(the lower nylon model). As with all Yamaha's, expect to need ti give the frets a buff prior to use.
I have just finished playing mine over headphones for about an hour and a half, forgot what time it was... holy shitsnacks. This thing is addictive, it has me playing like I haven't played before. It sounds brilliant on headphones and through an amp, the technology involved is wizardry. Blown away. I would love to try the steel string as well.
Perfect for playing your favourite hits:
The plugged in sound with the built-in reverb through either an amp/PA or headphones is very good and handy and so it can be used as a live or recording guitar as we know but as you can unscrew and take off one of the body arms, it can also make for a handy travel guitar, although there's hardly an acoustic sound there, but nice to have when you go away.
I seem to remember there were 2 neck widths for the nylon.
The adaptor/power supply can be a but cumbersome and the chorus seemed a little over-cooked but a useful thing.
I ended up selling mine and got a an Alhambra electro acoustic, but that guitar is not quite as playable, but to be fair the Alhambra has a firmly classical action and no truss rod to bring it down. That's how classical should be played but I must admit, I miss the slick playability of the Yamaha for non classical styles
The few minor issues of the previous generation seem to have been addressed, so I would have another. Obviously, great for travelling as well.....
Questions: Can you have chorus and reverb at the same time? Do the effects have level controls or are they just fully on or off?
No, the reverbs and chorus are on the one knob, like the effects controls on a Roland Cube amp.
Feedback
You need an idea of what you are going to do, but it should be a vague idea.
My feedback page: http://www.thefretboard.co.uk/discussion/91654/
Im gonna try one tomorrow
Let us know how you get on
Will do - I plan to try some amps too...
Mind you, knowing me, Ill walk out with a 1937 Martin or summat daft...
Waz
I started, like many at the age of 8 playing the 'School guitar' at school because The devil's sister my mother wouldn't let me take the dreadnought that my Dad had given me and to be fair, to a certain point I could see why.
My point is that I spent most of my time playing and more or less enjoying the nylon string guitars at junior school but I just couldn't get past that action height. I couldn't understand and still to this day have no better idea, despite having watched and listened to a lot more than I had done in 1980, why you would want that and how in any mechanical way it could be of any advantage to playing.
Genuinely I just can't see it, why?
Your fingers are moving faster than I can think so why do you want it to take longer for each finger to press, fret and release each string? It makes no sense to me at all?
Between the age of 8 and 12, I did try and developed enough loose fingerpicking skills for it to be an advantage as I picked up steel string acoustics and electrics.
I challenged it at high school and was told to "Piss off then if you don't like it !" and that's more or less what I did.
Thing is I like classical music, really like the feel and the sound of nylon strings and I guess the feel of them too but this has always stopped me dead in my tracks.
They sound a lot better than they play imho. In fact, the sound is superb - it really is good especially the 'modelled' side of the acoustic. I play it through a Fishman Loudbox (mini ?).
The actual action was a bit high for me liking, and it was stiff to play... but as I said, beautiful sounding.
Thanks Guys.
I guess that clears it up a bit.