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Nice clean (looking and sounding) modern instruments with more than an apprentice’s nod too ‘The Wizard’, in this case via a very short spell with Jason Kostal.
Other than the obvious external aesthetics - in the ‘build' threads you never get to see a picture of the finished top bracing system - never. I’m sure the wizard gets them to sign something.
There is a uk retailer who heavily touted 'Apprentices' work all very entertaining marketing tactics.
http://www.acousticguitarforum.com/forums/showthread.php?t=418772
https://en-gb.facebook.com/pg/astrandguitars/posts/?ref=page_internal
What is it you want to know about them? They're nice guitars for sure, and, as a sole luthier built instrument, a defiite notch or ten up from the usual factory guitar suspects.
I myself prefer this guitar to the Astrand...
however it seems quite warm sounding. So is this the guitar the player or both?
whilst we're on about the Nordic Noir guitars
a maker that stands out is Loef guitars.
http://www.loefguitars.fi/
https://www.youtube.com/watch?v=MHTVFTNq4cE
http://https//youtu.be/MHTVFTNq4cE
I wouldn't describe that type of sound as warm. Chris' Bown is warmer I think.
I'd have to go with this comment 100%. Of the two, I much perefer Chris' Bown OM. Bowns are also played by a fair few "names" if that says anything (I think it does). Ralph builds a far better "Martin" than Martin does, if that is the style of guitar you're after. Still has an emphasis on the fundamental but with more overtones, better sustain etc. Ralph Bown is also probably the best woodworker I've come across - his guitars are utterly flawless.
The Astrands are distributed by an intermediary in the UK which pushes their price up a fair bit whereas ordering one from Ralph means you deal direct with the guy building it.
Chris let me babysit his Bown for a couple of months and I really loved it; perhaps the best of Ralph's that I've played. Here I am making a hash of it:
Many of the more recent offerings of ‘modern’ guitars go for a ‘precision sound’ with harmonic complexity and lodsa volume, a hifi sound that is suited to certain types of playing - and music.
These ‘on steroid’ guitars also fall foul of the same fate that has been recognized in the modern classical guitar making world, in the quest for something more - somethings lost.
as Stevie rightly points out, they're differently 'voiced' guitars.
Young players at the acoustic nights I attend sometimes ask me what kind of guitar to buy. I ask them what kind of music THEY want to play and to look out for what kinds of instruments are being used in the that style - should give a good starting point for what to try out.
Do this with guitars built with the currant acoustic philosophy mention above and you’ll find they are being used for quite a narrow band of musical ’styles’ and players - you’d be VERY hard pressed to find one being play’d at a typical gig - even solo.
Also typically owners of these instruments are not likely to "Gie it laldy" - (play with great gusto), I look forward to being proved wrong on this point, where as Clive Carrol can and will - let rip on his Bown.