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Out of interest, what are you listening on as I hear the bass loud and clear, quite prominent in fact?
Thanks again.
Trying again now in AKG HD205 headphones (nothing special!).
My bass audibility complaint is worse on Sleepless and Call It A Phase. Things come across more clearly on Bulldogs. TBH, the issue may be more to do with the song arrangements. There might be too much competition for the upper mid range frequency bands and a general lack of "pocket" from the rhythm section.
If you have access to the original multi-track recording, play it back with the guitars muted.
The song credits name three writers without stating who plays which instrument. If I had to guess, I would say that the guitarist called the shots at the mixing session.
I don't have access to the original tracks and couldn't really say who had more or less say in the mixing but I think they're all pretty democratic along with a certain amount of guidance form Jamie (engineer) at the studio.
Cheers
The recording is perhaps a little thin sounding but I can hear everything clearly. The guitars are perhaps a touch prominent. More so on call it phase.
I see you're in Manchester.
Absolutely no obligation but If you're interested (or anybody else for that matter):
http://gardenback.co.uk/gigs/
See below.
I cannot decide whether this is:
1) an intentional choice
2) inaccurate intonation
3) string issues - either too old or too new to be properly stretched in
4) red light fever - nervous bassist squeezing down too hard to fret the strings.
This is not to say that these pitch variations are not making a positive contribution to the band sound. I am tempted to suggest fretless. If nothing else, this would quash any comparisons to P.i.L. (Few people today will remember Stump.)