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If you can, keep it on a stand or a hanger not in the case - it will absorb natural vibrations from the room and follow humidity changes, and the sound will open up. Really...
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
A few days in the open seems to have done it the world of good....
they rotate one around the store in Ivor Mairants, makes a big difference
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@ICBM keeps saying that I have to have a bloody Rickenbacker bass.
I categorically do not need a completely outdated anachronistic oddly shaped overpriced chunk of wood like that.
I have plenty of Precisions that fulfil that perfectly.
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They certainly do go to sleep. I keep all my guitars in cases (except my little L'Arrivee parlour which seems impervious to environmental change) so I just make sure to rotate which ones I practice on. As I've only got three flat tops (apart from little Larry) it means they're never more than 2 days away from being played.
Resonators go to sleep too (whether they are in a case or not), but there are specific things you can do to wake them up straight away rather than having to play them for any period of time.
Seriously: If you value it, take/fetch it yourself
I can't help about the shape I'm in, I can't sing I ain't pretty and my legs are thin
But don't ask me what I think of you, I might not give the answer that you want me to
- hold it vertically by the headstock end of the neck and tap the body and coverplate all over with your fingertips to dislodge dust that may have settled
- then detune slightly...not so much that any of the strings go slack, just enough to be able to...
- .....pull each string in turn out of it's bridge slot, and then slide it across the saddle to let it snap itself back in
- retune
You could definitely hear a difference before and after.
Seriously: If you value it, take/fetch it yourself
I play a guitar of some kind almost every day, but sometimes one will sit in it's case for a month or two. I have less than I did, but I could do with selling one or two more. it's just that they are all slightly different, and I can kind of justify keeping them.
However I stopped playing it for a couple of years due to new bands, sometimes I was on bass sometimes lead so the acoustic was in a case shut away.
When I finally took it out it sounded awful, not just dead but seriously dull no bass or treble.
I did the usual changed strings and played it a bit which started to improve the sound but due to my hands I struggle to play it for more than 4-5 mins at a time as I cramp up with such a small V profile neck. I now leave it hanging on wall, accessible to just grab every so often and play a while. Not as good as it was but only one that's a keeper out of all my guitars due to sentimental reasons.
Most important thing, keep playing them.
I'm not locked in here with you, you are locked in here with me.
no matter what the atmospheric pressure or humidity or solar wind intensity etc is doing and within reason what strings are on them.
That being the case this allows me to concentrate on what having guitars is all about - creating music. Thats what I listen to - everything else is a distraction.
Also knowing theres a quality constant allows me to enjoy other aspects of playing - like how my music on my guitars sounds in different 'spaces'. E.g. I can still hear the sound of my Lowden floating around St Andrews in the Square in Glasgow - I was so taken with the 'effect', almost like playing through an Ecoplex - I almost lost track of where I was 'in the piece'.
On the point of them becoming less responsive with lack of playing - yeah, well so do I, I haven't been playing much the last couple of years and when I have the guitar I take out may have lay'n for month's without being played so it's a 'wake up call' for both of us