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Comments
The Dava control picks have a nice tone and can be soft-ish if you hold them far enough back. But still fairly stiff for strumming and still brighter than a thumb pad.
I have some thick rubber type picks by Wedgie that will do the tone you want but they aren't very flexible for strumming.
For strumming I'd usually go for a .60 nylon as a good compromise, it's pretty flexible but you can still pick with it. Won't do the sound you want though. The thick nylon picks e.g. 1.5mm have a less bright tone but they're pretty stiff for strumming.
If you really want thumb tone you might just have to work on that
Eqd Speaker Cranker clone
Monte Allums TR-2 Plus mod kit
Trading feedback: http://www.thefretboard.co.uk/discussion/60602/
You'll never get that pop song strumming thin/bright acoustic tone with a heavy pick, for example. Even a .60 can be a bit heavy for some sounds, sometimes I go for a .50 Tortex to keep the low end under control and a bit of a brighter sound.
Likewise if you want a thicker sound a thin pick isn't the way to go. Just shooting out a .60 vs say a 1.5mm pick for a simple arpeggiated chord part can make the guitar sound like a totally different instrument.
Picks can make a really big difference to acoustic sounds.
I'm currently experimenting with new John Petrucci primetone (oxblood) pick which is the standard small Jazz 3 size and smaller than his previous one. It's a bit pricey and I'm still trying to make up my mind about whether it's worth the extra money.
Edit - just realised there actually is a .80 dunlop nylon pick, I thought there was only a .88. I've never tried a .80
which are quite thick but I loosen my grip and they feel a bit more strummable. I've also use cardboard cut into circles for recording