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I'm going through a very similar string journey. I both love and hate Elixirs - love the longevity and brightness, but I know the tone isn't perfect. The top end can have an objectionable "crispy" quality that's a bit unpleasant. However, the alternative often seems to be the instant dullness of uncoated strings.
Interestingly the Elixirs seem to suit my Yamaha AC3R the best, which is the closest to a Taylor-style concert shape, and I know Taylor ships their guitars with Elixirs, so maybe there's some symbiosis there, or perhaps just coincidence. The Yamaha is my go-to for acoustic gigs because of the quality of the preamp, and I want to know that I can just grab it any time and the strings will sound bright and new. The current Elixirs have been on for probably two years and they still sound fine. That's why I like Elixirs. They're staying on this one.
Conversely, my Eastman E20SS has just had a new set of Elixirs and it's crispy central. Strumming isn't too bad - it gives that big bass-and-treble combo, with a snappy brightness to the bass strings - but the D and G strings when fingerpicked are just wrong - too slippery, too twangy and clangy. The action is a bit on the low side which is giving me some fret slap, which combined with the bright strings just gives an overly bright sound. This guitar needs a more mellow string, but I still want to stay coated because I can't be bothered changing strings all the time. The Elixirs are brand new so they'll be staying on for a bit but I need a change for the next set.
My J35 is in desperate need of new strings. I fitted a set of uncoated D'addarios about a month ago and it's dull city Arizona. I have heard this sort of tone on recordings from the 60s - I believe an era when guitarists hardly ever changed their strings. Quite a thuddy bass, a bit of woody midrage and a very soft top end. Not my cup of tea at all. Sounds ok in isolation but doesn't record well and I'm convinced there's a better tone in the guitar. So this guitar could actually do with a dose of brightness, but for the first time in a while it won't be Elixirs.
So - Elixir are dumped for the time being and I am going to try some new brands. First off will probably be D'addario EXP coateds on the J35 to try and inject some brightness. If I could keep the bass and woody low mids with a decent top end I'd be much happier with this guitar.
Other packs on the shelf are Fender Duratones which were half the price of everything else, and a set of Ernie Ball Everlasts. Over time I'll fit these sets and see what happens. If anyone has any further suggestions as to coated strings without the excessive crispyness of Elixirs, that would be appreciated.
I know exactly what you mean about Elixirs tone-wise, but after a few weeks it has diminished a fair bit to where it's very enjoyable to play, though I will go back to silk and steels for a recording session I have coming up.
Not sure whether you've tried them but Gibson Masterbuilt PBs work great on Gibson acoustics, I've used them on 2 J45s and my current LG2 with great results.
2004 Yamaha LL-500
1995 Yamaha LA-8
- Thomastik Spectrum and Plectrum. Different from many of the US made strings. Balanced. Stonking low E on the Plectrum. Possibly a little quieter than other brands. Worth a try if you want some different, particularly for recording.
- John Pearse PB. Really like these. They replaced Martin SP as my "go to" PB. Can't really articulate why I like them - just just, well, nice!
Martin Retro - I used to think these were tinny, scrapey, thin and awful - the love child of metal mickey and a dalek. Then I tried them again and really like them. Not my ultimate string but for dirty, heavy walloping the 13s are great.
DR Rare - my new PB. Possibly my long term replacement for John Pearse (which replaced Martin). Only 2 weeks in on my first set so not yet proven but so far I really like them on my mahogany/spruce OM.
Also tried, D'addario something or other (EJ17?). Uninspiring - came off quickly.
The lower tension Heritage are really nice on my Collings, while the Masterclass work better on the shorter scale J45. When a local and very experienced luthier was fitting them to my OM, he said he'd never tried them before but was very impressed. He has now started recommending them to other customers.
If you've not looked into them, I think they are well worth checking out - and very competitively priced too. I can't see me switching bands for a while, at least.
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The plugged in tone is barely affected, but unplugged it sounds like arse. That doesn't bother me tbh, I have a much nicer acoustic with conventional strings for home playing and recording.
Thanks
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The Martin's (not Lifespans) I've got on make my guitar sound great.
How do Lifespans compare to their non-coated ones?
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I think I might have bronze SP but need to check.
I remember ditching Elixir years ago so don't think I can bring myself to going back. Must have been a reason.
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I really don't like the EJ17s, they have a lot less volume, the bass has gone and within 3 days my fingers smell of metal after playing and they sound dull and are draggy. Horrible.
I may try the Martin coated strings on my way back to the Elixir nanowebs. The nanowebs sound loud, full and last months. The only downside is that on my Martin with the forward shifted scalloped bracing the elixirs get a bit thin and plinky on the treble.
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