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I think he is almost like a British Springsteen in the making. I'm not sure what would make him more musically interesting, he's certainly not Radiohead, but he's a genuine honest voice of the common man which we haven't had for a long while.
Along with Wolf Alice, probably genuinely the best mainstream rock act of the last ten years.
Like a lot of great 90s acts he is happily pissing away excellent tracks as extras or b-sides between albums.
Any extras/B-sides you'd recommend? I've got none of his stuff - but defientely going to download something this evening.
I take your point about him being a genuine honest voice - that seems to be the appeal - and it seems needed now more than ever...... it's quite a responsibility for him to take on so I really wish him all the best. Is that where the Springsteen comparison comes from? I don't know anything about 'the Boss' - never listened to his stuff - but maybe I should if it's like Fender?
I am not a Radiohead fan either lol - I don't think his songs would suit a more 'muso' type of music a-la the Head'...... I guess he makes sure the music doesn't get in the way of song/melody - it's certainly working for him...... and it will be interesting to see where he goes as his career develops over the coming years/albums.....I can virtually hear the gospel choir coming and I am here for it.
Were you a big Britpop man @darthed1981?
I an a fan of the Trojan horse approach - when something of significance, perhaps something a little dark or something that stands in defiance of the prevailing mindlessness sneaks into the classrooms, work places and bedrooms of the nation under the guise of a sugary pop song - I remember when that Arcade Fire song 'everything now' was blaring out of every car and kitchen, sounding like a slightly wobbly Abba while actually declaring the soullessness of consumerism through the medium of a kids choir.... genuinely subversive.
As for the Springsteen comparison, his stuff has sax and glockenspiel and is largely songs about the plight of regular folk - huge parallels. And he doesn't come off badly in that comparison, which really says something.
Seems like a really good bloke too.
I agree I'm really excited for where he goes next. He has a great band he plays with and is a great musician himself, he can do a lot more.
And yes... I was a huge Britpop fan, or generally the British rock boom of the 90s, Oasis, Pulp, Suede, Blur, Manics, Radiohead etc etc...
yeah - as I've been looking into his stuff this morning (and working of course lol) I found a documentary......he does seem like a good lad - with an good, honest message that seems to come from the heart...... It makes me think how many of todays pop stars are from privileged backgrounds
I was a big britpop fan too - I was 10 in 1990, 15 in 95 etc. I picked up a guitar after hearing Oasis in 93/94..... before then it seemed musicians had to be troubled souls like Nirvana and wear terrible clothes bought from the Army and Navy surplus store..... Oasis made it seem ok to have decent trainers and still be into football etc
Britpop was a springboard into all sorts of music for me - there was so much good stuff coming out in the 90's in all sorts of genres. I did get some terrible Britpop records too though - I remember early singles by Marion, Northen Uproar and Menswear being particularly terrible lol
Noel G sat down and wrote "Live Forever" after he heard the Nirvana B-side "I hate myself and I want to die" because he said "I spent my youth with fuck all getting the shit beat out of me by my Dad and I don't hate myself or want to die, and I don't want kids feeling that way". That sums up my attitude to what popular music should be so well that (and though I do love Nirvana at their best) I'll always love him for that.
Was Britpop your first thing?
Britpop was definitely my first thing, WTSMG was the first album I bought, DM the second! Coming Up by Suede, Different Class by Pulp, Great Escape by Blur and All Change by Cast were early purchases.
Suede were one of the few britpop bands I didn't get into..... there was a huge range of styles under the banner of britpop, also lots of other incredible music coming out in different genres - Apex Twin, Dummy by Portishead, Leftism by Leftfield, Brand New Secondhand by Roots Manuva, New Forms by Roni Size.... all seminal records in their genre released over the span of 3 years -
I wonder if I am looking back through rose tinted glasses or if. I am biased or if there are records as diverse and good as those all the time but I am just not aware of them
There hasn't been a "movement" since Britpop, you have seen individual guitar acts break through big, like Arctic Monkeys, or indeed Wolf alice and Sam Fender, but never multiple guitar bands dominating the charts at once. I honestly doubt with the industry changing as it has if you could have another Britpop.
I agree as well, beyond the "big four" Britpop bought us huge swaths of other "associated" great music. No 90s Britpop compilation is complete without the Prodigy, Chemical Brothers, Garbage, Sneaker Pimps and even Prog made a comeback... Mansun, Ultrasound etc...
Nostalgia aint what it used to be!
After we'd played it a few times I got a whole new respect for it.
It's a great song to play and there are almost aways a few people who go wild when we start to play it.
We're doing 6 songs on an internet radio show on saturday and that got picked from the 40 or so that we know.
Fair play.
My only recent worry is that I didn't think he looked that healthy at his recent Leeds festival gig (watched on iPlayer).
In fact I am sure I head on the radio he took a bit of time off recently to look after his mental health......
A tour not making money could easily be enough to push them seriously into the red with their rapacious labels.
Sam seems to love making music and being onstage, but he's expected to be responsible for Sam Fender Ltd as well.
His tuning is a bit strange, maybe C# rather than so we move keys a bit. 17 going under is a good capo riff
His working class roots shine bright and he comes across very well IMHO. He does a version of Winter Song which I rate and I think he gets under the skin of what 'the honest man in the street' values from music and working class heroes
Thumbs up from me and I reckon he'll improve with age
https://www.theguardian.com/music/2022/sep/12/sam-fender-cancels-shows-tour-dates-mental-health
Record labels = Cunts
I found that documentary really sad.... I really wanted him to just walk away from it all and. write songs purely for himself