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just because you do, doesn't mean you should.
I don't notice any lack of tone from a smaller guitar when I fingerpick, and it certainly beats the feeling of hugging a wardrobe. I also prefer 12 frets to the body. The extra clearance has no relevance for me when I am fingerpicking or playing chord melody stuff.
Be also aware that depth is quite important too. I have no problem with a 16" thin-line guitar such as a ES330.
Martin's sizes are as follows:
* 0 344mm
Grand auditorium guitars are roughly around about 000 size. Jumbos can be 25mm smaller than that "small jumbo" or 25mm bigger. Most "concert" size guitars are similar to a 00, or sometimes an 0. Auditorium size is somewhere in between 0 and 000 - your guess is as good as mine exactly where.
Parlours are smaller than that - say 320mm and under.
But there is no real standardisation. You can call anything you want anything you like and somewhere in the world you can be certain that someone will.
After more than 50 years of playing dreads, I found I could no longer do it. I'd go home after a gig knowing I'd get the mother of all shoulder aches next day.
So I did what some here suggested: I p/e'd the dread and got myself this Martin OM-28 Re-imagined. No more shoulder ache, and I can play it all day.
The GS Mini has a Grand Symphony body size.
I have an Atkin 47 which I adore - that's quoted as 4.5" deep and 14.5" wide, so very similar - that's based on a Gibson LG-2 so those might be worth a look too.
just because you do, doesn't mean you should.
Your GA is like a cross between a dreadnought and an OM. Bout size is same as a dreadnought but it's narrower at the sound hole like the OM or OOO. The GA is probably the most versatile acoustic but the OM is now the most popular size bought. I think if you find the GA too big the OM will probably be ideal. I wouldn't be looking at a Taylor or Martin though. I'd look at the Eastman OM range. Superb hand made guitars that, pound for pound, are far better value.
Ian
Lowering my expectations has succeeded beyond my wildest dreams.
Sigma J45
15 7/8 402mm
Yamaha LS-TA
14 15/16 380mm
Yamaha AC3R
14 15/16 380mm
Taylor Academy 12e
15 381mm
Taylor GC
15 381mm
Martin SC10e
15.5 390
Yamaha FS-TA
14 15/16 380mm
Vintage V300
15 381mm
Martin OM/000
15 381mm
Taylor GTe
15 381mm
Faith Venus
385
Furch OM
378
Taylor GS Mini
14 3/8 365mm
Martin DJr
14 1/8 359mm
Martin 00
14.3 364mm
Furch 00M
358
Eastman E20P
13 3/4 350mm
Martin 0
13 1/2 344mm
Yamaha CSF-TA
13 7/16 340mm
Martin 000Jr
14 356mm
Martin Backpacker
8 203mm
I *do* get there...you know, a large jar, a bit of change in now and then, soon builds up and that's my fare money. Just the way *I* do it.
Meanwhile, I see a nice little Taylor GS Mini in Bath/Bristol is listed in the classifieds. (No idea where you are, just thought I'd mention it.)
There's more pics up, and he says it's "immaculate". Wouldn't surprise me to learn at some point that an Aussie took it back to Oz!
But for anyone who doesn't mind a short scale, I reckon they are good stuff. (And do you know how much it would cost me to cart it home on an aeroplane? Probably cheaper to throw it in the Thames and buy another one back home in Hobart. International shipping can be quite reasonable, but airlines reckon anyone with an extra bag can be (and should be!) bled white.
(And yes, I do plan to pick up a guitar while I'm over but I'll have it shipped to me with DHL or FedEx or someone. I'll start a NGD thread for that shortly.)