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* What level are you at?
* Do you have a particular style in mind? Or a particular sort of skill you want to work on (theory, fingerpicking, shredding, etc.)?
The answers to these two questions will determine what course is bet for you.
(And yes, I'd vote for a course. It probably doesn't matter so much which area you do it in, in my experience at least the discipline of being pushed in any one particular direction is very valuable.)
Think I answered my own query then
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Intermediate.
Aye, right you are.
Acoustic has totally given me a new lease of life. Could write for days on it. Right now looking into DADGAD, Celtic triplet techniques, banjo rolls, a couple songs, just brilliant - so much to do!
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Again, aye, right you are, kiddo
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Good value at 50% off right now - have been watching the TE ones and Clive Carroll on trial and it's a great resource.
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You can get 2 for 1, half price, etc
one year subscription - NB doesn't include everything for $100 I think
ah, some sale now on you say...
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I've been appreciating TrueFire way more than I did JamPlay when I had that.
Courses done so far:
- Steve Vai (more "talk" and soft skill stuff... actually only did 75% of this tbh)
- Tommy Emmanuel fingerstyle basics (now onto the next one) - brilliant.
- Tommy Emmanuel "Play With Words" - his inspiration for song writing and general advice - brilliant
- 3 hour multi-instructor song writing course
- Random tutorial on how to play the Tetris theme, fingerstyle.
I also have no interest in jazz whatsoever (well, the instrumental stuff..) but I'm now watching Howard Morgen's "Fingerstyle Breakthrough" which deals with chord voicings and leading tones, something which is prevalent in other styles (i.e. "normal" fingerstyle guitar). Frank Vignola also does a similar course I will watch.
Courses best done with guitar in hand but the theory ones are good to just watch as can get head around it all still. Not really out to learn new styles per se but to steal bits of theory and techniques (I want to recap my flamenco knowledge despite not really playing flamenco as I do use some of the flamenco techniques, for example... and while the Chet Atkins alternating bass is great, it can get a bit repetitive and I prefer compositions outlining the bass without so much of that repetition, e.g. like Stephen Wake does). It's also really opened me up to new styles - largely country (which I now love), Celtic, etc.
It's one thing to watch this stuff and then put it to practice, which is sort of why I didn't finish the Vai one. It was a lot of talk with no real application and I want the meat - the theory, techniques, the feel of a style etc. Anyway, this two year pass has been a great buy.
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