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Comments
I'll give you an example
Say they're small frets. The lack of height means I can't really feel where I am on the board. It's a problem cos I like to be able to feel my way around.
Otherwise, as far as I'm concerned, they're just There
But if I can feel `em, I'm much happier
I swear by them on electric guitars, once they're installed and set up they basically don't wear out. Whereas, playing with lots of bends and vibrato, regular frets start to wear to the point of needing work after a couple of years.
Some people on internet forums say they sound 'brighter' or something but can't say I noticed.
That's all on electric guitars though, and this is the acoustic section.
I would probably be willing to give it a go on acoustic too. I imagine any tonal difference would be more noticeable. I imagine the way we tend to play on acoustic probably does not wear fret so fast (though a recent 2nd hand dread purchased clearly has some wear in the 'cowboy chords' fret positions).
Mostly I don't notice them unless there is something wrong.
I tried a very expensive acoustic a few weeks ago that had frets I didn't like. They were quite narrow but maybe on the tall side too - felt like little speed bumps when moving my hand around the neck. I would have to guess they were maybe a 'vintage correct' feature that it would have been better not to reproduce.
EVO Gold isn’t as hard as stainless steel, but it’s hard enough to last a lifetime for most players. It does have a light gold colour, which some people don’t like.
There seems to be much less variation in fret size on acoustics than electrics - skinnier and shorter in general as not intended for fast lead playing or much bending, with a focus on intonation.
My 2011 SJ-200 Studio has been the only acoustic I've had where the frets are troublesome, even the untouched upper frets were minuscule in height and fairly wide. The first 7 frets were like ribbons. Got the guitar cheap so it's in with the luthier for a full refret - he's using Taylor frets which I believe are a fairly standard size, comparable with Martin, Collings etc.
6203 - vintage small ones
6105 - modern narrow tall like Fender CS use
6150 - old-school medium jumbo - quite wide but still not that tall
6100 - proper jumbo - massive train tracks
For all guitars you either like the feel of it or you don’t. You can get hung up in the various differences in specs, but unless your having a guitar built for you and to your specs, what you see is what you get and if it doesn’t work for you move on.
This obviously doesn’t work when your buying from a screen but in real life it does