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What I would like to develop is the ability to make some Davy Graham-esque sounds. As well as that I think nylon strings would be easier on my right hand.
The few pics I Googled-up of Davy Graham playing nylon were also standard classicals (but there might not have been as much choice back then)...maybe he'd have killed for a Godin
If I were you, I'd be looking for a reasonable 'student' level classical on the used market...they pop up here now and then.
You don't need to play classical music and you don't need to employ classical technique.
I am far less fussy when it comes to accoustics, but also less knowledgeable. My Yamaha is a reliable instrument and I guess I want the equivalent classical/ flamenco type guitar.
Budget has been mentioned. That would really be in the £120 range (hence citing the example of that Yamaha) - new or used is fine. I dont think this type of guitar suffers fret wear so used woukd be fine.
If you were able to increase the budget to above £200 you would probably be able to get a nylon strung guitar with a solid wood top and a traditional look.
BTW, although Davey Graham studied classical under Oliver Hunt, his music was thereafter mainly acoustic so you might be going up the wrong tree. He never played a crossover! He probably never played a flamenco either which is a subdivision of the classical instrument with a different construction and a lower action set for flamenco players. His main guitar was a Martin D1 and he owned a Gibson too I think. He is famous for promoting DADGAD tuning. His Anji (sometimes wrongly attributed to Bert Jansch) is one of the first pieces I tried to master in the 1970's. It's not easy but it can be mastered once you can do the Am hammer on/pull off/ hammer thing on the 2nd string C in the main phrase. I spent absolutely hours trying to master it and in the end got fed up with playing it but it really helps to master finger style and has a non-alternating and highly addictive baseline which helps you to master thumb/finger separation of base and treble lines. There's lots of different sections and its very different to a lot of the 1940's blues/ragtime music many people were playing at the time. There's a fine tab of Anji available for free on the musicnoteslib.com website (my favourite for free tabs if you search out the guitarpro .pdf's).
Have fun.
The more I listen to DG the more I realise there's more to his playing than I first thought. Of course I don't expect to reach his level, or anywhere near, but there's things I hear that I know I can do, but every now and then I hear something and wonder how on earth he does it.
@DavidR I may look that tab up and see if I can make a go of it. Nothing ventured...
Perhaps you know of him already, but if not, have a look for Duck Baker, he plays a great variety of music on a flamenco guitar. He is hugely knowledgeable and also gives lessons.
I'd always associate DG with an early 50's 000-18. He had a signature OM 28 as well.
It's a shame DG seems to go a little under the radar at times, I think he's up there with the very finest.
The same background walking bass line features in many other arrangements - including Mason Williams' "Classical Gas".