Newtone Masterclass round core phosphor bronze.
I have never felt so torn two ways about a set of strings.
I fitted a set of these in the standard gauge (12-54) to my Maton Messiah 808, a spruce and rosewood guitar similar to many others in that classic timber pairing. If you are unfamiliar with the Messiah (a model seldom seen in the UK) it plays and sounds very like a Martin OM-28 with a crisper top end. (I remember sitting in the shop playing it and an OM-28 side-by-side trying to decide which one to buy. Two excellent instruments and not an easy choice!)
THE BAD:
No two ways about it, the sound of these strings is unrelentingly thin and shrill: much too much top end and lacking in bass. They make the Maton sound like a Taylor, and I don't mean that in a nice way.
It's not just me: a friend dropped in the other day and noticed it immediately. He knows the guitar and his comment was "Those strings have wrecked the Messiah". That's about the size of it. It sounds awful strummed and not much better fingerpicked. There is an unpleasant zingy metallic high-mid tone and a serious lack of warmth and bass.
THE GOOD:
However, there is also a great deal to like about these strings. They achieve excellent crispness and clarity. Usually an over-bright string set produces a muddy jangle but these remain well-controlled and every note is clear. That is very unusual.
They have a lovely soft feel under the left hand; perhaps a fraction too soft for me, they play like 11s. I can imagine someone who does a lot of electric-style lead up the neck loving them - the feel really is excellent - and the treble-heavy sound might suit someone wanting to float a bright acoustic rhythm part across the top of a band mix, or maybe someone with a bass-heavy instrument needing extra zing.
The Newtones feel delightfully soft and smooth under the fingers. Suppression of fingering noise is outstanding: they squeal less than any string I can think of bar Elixirs. (Or flats, of course.) I checked this by playing three guitars side-by-side. As expected, Elixir Nanowebs on the first one produced hardly any left-hand squeal, but the Newtones were just as good. The John Pierce strings on the third guitar were far more objectionable in this respect - and note that John Pierce make an excellent string which so far as squeal goes is no worse than most and better than some. The Newtones really are outstanding: the quietest uncoated string I know of, and by a fair margin.
THE UGLY:
I played these a lot for the first week or so, mostly because I wanted to get enough wear out of them to justify putting something else on. For a week or two I used the Messiah as my beat-it-up practice instrument, aiming to wear the strings out. (I don't really care what a guitar sounds like if I'm only doing exercises. Well, within reason.)
The sound improved as they got more wear on them, but not nearly enough. They remained over-trebly and still lacked bass. I continued to be impressed by the clarity: you can hear every string unless you really work at making a muddy jangle. After 12 days I decided enough was enough and took them off.
CONCLUSION:
Newtone and rosewood do not mix. These strings push the crisp, bell-like highs of a good rosewood guitar way too far and the result is awful.
But set that aside: these are undoubtedly excellent strings in their own way; I think they just need the right guitar to sound at their best. I'm going to order a few more sets and try them on other instruments.
Comments
I also have a pack of Santa Cruz Parabolics but I have a feeling they may work better on the little Atkin 47.
I bought 6 sets. First set was absolutely amazing. The other 5, however, were a disappointment unfortunately.
So for me, it was a consistency issue. But this was several years ago and may no longer be the case today
I've used a couple of sets now and came across them after lots of positive comments about them on here.
We all have our own tone. I hate Ernie Balls on my electric!
in fact, can you buy an Atkin OM37 or 28 Retro
just because you do, doesn't mean you should.
However, my Brook Torridge is a different matter, as my arthritis has deteriorated I can no longer finger pick and have to generally play with a plectrum, because of this I put the harsh “brittle” tone down to a change in playing style, rather than using the same strings as on my Martin. So with the Op’s comments in mind I ordered up a set of DR Veritas and restrung the Brook this morning and the difference is night and day.
I can see how a change in gauge or material would make a difference in tone, but I’m genuinely amazed that simply changing brand has had such an effect.
Thanks for a really thought provoking post.