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My Eko 12 (it was a "good one" only by the standards of the day and of my teenage budget) disappeared somehow, probably stolen but I don't remember. (Hey, it was the Seventies. If you can remember the Seventies, you weren't there.) Years later, my (excellent) first Maton was stolen. Other than that, I've kept them all.
Moving on to electric instruments, I swapped my baby Rickenbacker for something or other, can't remember what. (Yup. Seventies again.) And I sold my Les Paul Pro Deluxe back to the shop I bought it from for half of what I'd paid for it. I needed the money, no idea what for though. I could buy it (or one like it) back today .... for about $5000. Sigh. Not that I play electric, so it's not as if it matters. And for several years I played a borrowed '59 Telecaster bass. Superb instrument in every way. Eventually my band broke up and, doing the right thing, I gave it back to the very generous friend who had lent it to me on a "keep it as long as you like" basis. He then lent it to someone else, who promptly lost it. We both now whish that I hadn't been so prompt to return it when I no longer needed it.
I've let a couple go by not buying them, though. The day I bought my Brook Taw, I was also really struck by another Brook I tried, a maple-bodied Tavy. Different scale length, bigger body and different sound. That's probably the one I think about the most.
Not enough money is a bit of a bugger, isn't it? :-)
just because you do, doesn't mean you should.
Stupidly sold because I needed some money, and I had it and a Lowden O10, which I was using in a band because it had a pickup system. The Gibson was too fragile to gig and couldn't/shouldn't be fitted with electrics, so as it was my only guitar which couldn't be gigged, I sold it.
Stupid.
I never liked the Lowden - nice guitar, but not for me. I eventually replaced it with a cheap Hondo Everly Brothers copy which actually suited me much better - I should have bought something like that and sold the Lowden in the first place...
I really miss that Gibson .
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I let a nice Atkin OM go for a similar reason. Every time I picked it up I played it like it was made of glass. Eventually traded for a J45 that I was a bit happier giving it the beans.
Also, a gorgeous, natural finish PRS Custom 22 Artist that was fab. The mahogany back had as much figuring as I’d seen on some tops. Let that go because I fancied something different and had a similar guitar that I had owned for over 25 years. Should have let the other go and kept the blonde.
A neon pink Jackson SL3x made in Indonesia