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If it's a slightly shorter scale than most the strings will already be at a lower tension because the longer the string the more tension it takes to achieve the same pitch. That being the case, 10s would most probably buzz a lot on the frets.
The most common gauge on acoustics is 12, and a significant number of heavy use players use 13s. I would suggest sticking with 11s and perhaps other players might be able to suggest alternative types of this gauge that are designed to be lower tension. Even though the guitar is a PRS, a brand that generally comes very well set up, it might be an idea to see whether it could benefit from a setup. I do what greejn has suggested, i.e. 11s tuned down and a capo applied when necessary.
If you were playing a lot of open chords and felt the strings were hard to press down, it could be that the nut slots are not quite as deeply cut as they could be for comfort and improved intonation. Fret the low E at the 3rd fret and tap it down against the 1st fret with your other hand. There should only be very slight movement of the string before it touches the 1st fret, and it should actually be hard to discern any movement other than hearing the slight tap as it touches. If you have to press the string down, then the nut slots could be cut a little deeper. Do the same for the other strings.
Ideally you need a slight concave (forward) bow (relief) in the neck. Fret one of the strings at the 1st fret with one hand. Fret the same string around the 15th fret with the pinky of your other hand, and using the thumb from that hand extend it up the neck and tap the string around the 8th fret. It should not already be touching the frets there, but should have a very slight gap between the underside of the string and the fret. Tapping the string should make a quiet "ting" and you should just be able to see the string moving as you do this. If you have to tap the string fairly hard to make it touch the fret, then you probably have too much relief and tightening the truss rod in small increments should reduce the bow. You should still be able to play all strings right up the neck without buzzing and dampening of the vibration by the next frets above.
Adjusting the action on an acoustic entails sanding or filing a sliver off the underside of the saddle. This is usually best left to somebody who has experience doing this, although they don't necessarily have to be luthiers or full-time guitar technicians.
Another trick to try is putting a capo on the first fret. That always feel a bit different, even on a perfectly set up guitar, but if it is very different, then take it to a tech to have the nut slots adjusted.
Tuning down one or two semitones can be a very good way to get used to playing acoustic. It gives your fingers a chance to toughen up. After a few weeks in D, take it up to Eb, and eventually back to standard.
As for strings, I agree with @greejn and @BillDL that going too light is not a great idea - with an electric, you just dial in as much gain on the amp as you want, but with an acoustic you need to get the top moving and very light strings don't do that very well. (It's not just about volume, it's tone as well.) But you can switch to a lower-tension string while staying with 11s. I've been impressed with the Pyramid round-core ones I have on one guitar at the moment, but there are numerous others.
Thomastik-Infeld Spectrum Bronze SB111 11-52
These 11s give me the tone I would get with 12s of most other brands but have a softer feel to them. There is one drawback I have noticed with some of the sets I have bought in that the wound portion at the ball end is sometimes quite thick and can make it awkward to get the ball up under the bridge plate because the windings are taking up more space in the bridge hole.
this means you don’t have to squeeze the neck to death with your left hand, and relieves some of that pressure
just because you do, doesn't mean you should.
There could also be set up issues as others have alluded to. Nut height and excess relief are the two playability killers for acoustics in my experience, more so than action at the 12th fret which tends to be seen as a universal indicator of playability.
just because you do, doesn't mean you should.
As you get used to them you can always move back up a gauge or two if you find it necessary.