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http://www.peachguitars.com/guitars/electric-guitars/gretsch-g9550-new-yorker-archtop.htm
But you'd want a carved top 17" or 18" for a nice tone, sustain and volume - not going to be cheap. Going to cost 'farsands I'd guess !
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Remember, it's easier to criticise than create!
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Look Here:
http://www.archtop.com/ac_inst.html
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http://www.peerlessguitars.eu/#/contessa/4549480812
Looks very nice indeed. Van Hayden picked up a Spruce topped Heritage for a decent price IRRC.
http://www.thomann.de/gb/peerless_guitars_manhattan.htm
At 900 quid is a decent buy. solid wood arch-tops are not generally cheap.
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The fact that Martin Taylor uses one live is fairly reassuring. If you want to get acoustic tone you really do need a spruce top and proper bracing. Maple topped ones sound plinky. I´ve played an Eastman that I really liked, but I´ve also herd they are not that solidly put together. A lot of the players combine a mic with the pickup when recording to get a really natural sound. A lot of nice stuff on flea bay at the moment. Not often you see one of these up for sale.
They've cut corners in places which don't really matter but the fundamental construction method is authentic, and they're loud.
Godins are probably better made but just sound like unplugged electric guitars, which is what they are to be fair.
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Seriously: If you value it, take/fetch it yourself
About the same as your average dreadnought, but with a much more pronounced midrange.
If you watch the meters when you're recording they're about the same as any other acoustic, but if you're jamming with other acoustic instruments they poke out of the mix very well, which is the reason I bought mine.
I guess people like to demonstrate how loud they can get when you really beat on them and it's true, they just get louder and louder, unlike most flattops, which tend to get mushy and a little chaotic.
It's all down to expectations, the LH300 is quite closely based on an early L5, and it does a reasonable job imitating that pre-war archtop sound, given the limitations of brand new wood compared to something 80 or 90 years old.
What neither The Loar NOR pre-war Gibson L5s excel at though is that pretty, delicate, Martin-esque tone, and even most £5k handmade acoustic archtops are brash compared to a flattop.
When you spend many thousands you get a refined build quality and a balanced tone, but "pretty-sounding" is just not what they're about, regardless of price.
Seriously: If you value it, take/fetch it yourself
Seriously: If you value it, take/fetch it yourself
Seriously: If you value it, take/fetch it yourself
Not sure why 'Mags put the picture of Robert Bennedetto's builder's pine archtop up ... it's a one-off he made to prove a point about "tonewood" being bunkum. It was never sold AFAIK.
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And I thought the gibsons were pricey lol
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There was a one-off Tal Farlow 175-a-like for $3k a few years ago I kicked myself for not getting.
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