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There isn't much of an argument to be made for anywhere else.
The thing about animal glues is they have a very short open time, which forces you to work very quickly.
On a production line that might not make sense, so really this is a commercial decision.
In terms of sound, you'd need dog ears to tell the difference, I've done various tests as part of my lutherie degree to determine this. Other factors matter more.
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Rabbit skin and hoof glues for example.
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The huge advantage that hide glue has over aliphatic resins (of which Titebond is an example, and they are basically advanced PVA) is that new glue will stick just as well to old glue. This is emphatically not the case with Titebond as you need a
clean wood-wood join each time.
Plus, hide glue stinks something rotten.
Adam
Some people think there is though. Some Granada luthiers will only glue their instruments up in the evening because the humidity is better then. I have read.
Also animal glues must be more sensitive to subsequent variations in humidity than some modern glues I would have thought?? Don't actually know though.
Any brilliant luthiers about?!