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"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Oh and the Mojo NC-1 has entered the list, I just checked out a demo and it does sound great! But I think its a relatively new release and hard to source in the UK.
More of a strummer as opposed to a fingerstyle player on the D28 too so would want that acoustic sound and not a metallic electric guitar one!
It records well too.
I have a rare earth and SD magmic.
The RE sounds better as mag only but with mic blended in the SD is more natural, albeit bigger physically.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
(1) Fishman Rare Earth single coil (active) - Sounded pretty good but I lived in fear of the battery giving out.
(2) Fishman Neo D single coil (passive) - Bought to replace (1) but turned out to be way too weak in output for live use.
(3) LR Baggs M80 - Sounds excellent but if you hit it while playing you and the audience will know about it! Really long battery life and a handy level indicator actuated by a tiny push button. Bloody spendy though!
I kind of wish I had gone for the K&K Pure Mini although apparently that system can be ‘challenging’ to install.
It's quite feedback resistant live and it has a thumb wheel balance knob which I set to 50% up. If I get any feedback then I just turn the mic off. The mic does sound great though and that's why I use it over the rare earth.
Oh so its basically the pickup without a visible external mic that goes inside the soundhole? My main issue is doing live videos and it picking up the speaker playback.
Not with nylon classical strings... I have come across people who have tried! Which sounds like a 'stupid' mistake to someone who knows how they work, but if you don't then it's forgivable. Not helped by one of the old cheap models you could get in the 1970s/80s being described as a 'guitar microphone'.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Through the venue PA system it did not embarrass itself next to her Taylor.
"Tone is in the fingers, expensive PA, decent sound guy" caveats all accepted.
Don't talk politics and don't throw stones. Your royal highnesses.
ive never had stage feedback probs, as there’s a quite successful / clever feedback cancelling button on it, with multiple “levels”/frequencies which can be cancelled,
You used to be able to buy just the clip on mic on its own, and that certainly has potential for feedback, but I bought and quite like the natty pre-amp box. It also has half a dozen different tones for nylon or steel strings, so I used to use it for Uke as well.
don’t use it these days as I bought and electro-acoustic just to get a better guitar