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String quality is very subjective; what one person likes won't appeal to another and strings that sound great on one guitar may sound terrible on another. Once you get above the eBay £1.99 a set strings quality-wise Martin, Elixir, D'Addioro are all fairly similar and it all comes down to marketing and personal preferences.
A longtime ago I concluded that, because string die off through heavy playing, especially night after night live, or because of the affects of time and the elements ( I have tried all the longlife variants, they just don't feel all sound good to me personally, plus I can still kill a set very quickly indeed ), it is more cost effective to have boxes of the strings that do sound good fresh and change then very often indeed ( for me that's D'Addario PB's in the gauges I need ).
I don't really buy into the different brands etc for different guitars myself, preferring consistency, the instrument itself giving the variation required.
https://newtonestrings.com/shop/heritage-series-acoustic-6-string/
I know they are new and have that new zing to them but they have noticeably less tension which I find really pleasing, now picking up my other acoustic with my old favourites on confirms that I wont be going back.
I don't personally like Elixirs but get that loads do...I guess it's personal choice
but at no point have I ever been aware of premium, or luxury strings, and that’s what I’m trying to understand. Is there such a thing?
thnaks for whoever said Newtone and Thomastik, I shall look them up
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
are guitar strings the only product in the world that has no actual quality difference in for example the base materials.
OK, so what is that difference? The main thing is coatings. Elixir charge way more than most brands because their strings are coated. Other coated strings tend to also be expensive. Is that "better quality"? If you like the sound and feel of coated strings, sure it is. Coated strings last much longer and have much less unwanted noise. On the other hand, they sound different and feel weird, so a lot of players dislike them. Scratch coatings, those are a matter of taste.
What else is there? Well, there is the attention to detail in construction and winding. Is that quality? Sure, but the reality is that once you get past the cheap and nasty E-bay and counterfeit level, any string you can buy is very likely good enough for any practical purpose. So scratch that one: it's unimportant.
What about alloys? Yes, some exotic alloys cost more. So put an asterisk next to anything made from, say, titanium alloy or monel. They will cost a few percent more. Unusual alloys cost more too (even if the materials are bog-standard) simply because they are unusual and there are no economies of scale. Suppose Rotosound or D'Addario wanted to start making an 88/12 brass string instead of the usual 80/20 and 85/15 ones. They would have to get the wire manufactured to special order, and of course pay extra. So yes, alloy type can be a real difference with more expensive strings, but usually isn't. It's not hard to pay top dollar for bog-ordinary phosphor bronze strings, after all.
Finally, there is country of manufacture. There are low-wage countries such as China, Indonesia, and India, and there are high-wage countries such as Germany, the UK, Australia, Canada, Japan, Korea, and Taiwan. The USA loves to think that it's a high wage country too, but it pays a lower hourly rate than any of those countries just mentioned. Higher than places like India though, so maybe count it in the high-wage group. Strings made in high-wage countries cost more than strings made in low-wage countries. Personally, I can never work out whether it is more honest and decent to support underpaid workers in (say) Bangladesh by buying something they got paid practically nothing to make, and were very likely punished for even thinking about joining a union, or whether it's better to support local manufacturers, or at least (where there are no locals) manufacturers in a country similar to and allied with one's own, ones who pay decent living wages and care at least a little bit about health and safety. Make your own decision on this question.
There you have it Sev: all in all, the main difference between expensive strings and cheap strings is the price.
Does this mean you should always look fort the cheapest strings that you can find? NO! First, avoid the rubbish. Buy from real shops, don't go slumming on E-bay or Ali Express or Facebook or Amazon. If you want to mail order, deal with reputable businesses like stringsbymail.com or Stringsdirect.co.uk or else go direct to the manufacturer - many makers offer this facility. Or, of course, support your local shop. All of these are better options than the Internet junkyards mentioned previously.
Second, strings cost bugger-all compared to the other things we shell out for. We all do it. Blimey, last week I paid a deposit on a custom guitar without even knowing what the final price will be (other than that it will be quite a few thousand dollars by the time we are finished). Didn't turn a hair. That same week I found myself comparing prices for the same brand of string at a couple of local (Australian) shops, in the US, and in the UK, looking to save 50c. How dumb is that? Seriously, what does $1 here or £1 there matter in the scheme of things? It's chickenfeed. Just buy the strings you like.
On one of my guitars I use Elixirs at $30 a set. Why? Because they work so well on that one. On another one I use SIT Silencers at $9. Why? Because that guitar sounds great with them. And on the other three I'm still using any number of different strings (32 types at last count) while I work out what goes best on them.
Step up the spend a bit to slightly pricier, subtly "better" brands and it gets more subjective. I've tried and really liked Curt Mangan (most types I've tried) DR Blues and Newtone. Currently enjoying Newtones on bass, electric and acoustic guitars, all sound and feel great for different reasons. So the only single brand that scores across the board for me.
Then the law of diminishing returns kicks in.
A good analogy is wine. You can find a few tasty, acceptable, reliable, even enjoyable wines for £5 - £6, you're spending about 80% of that on packaging, tax and duty, distribution and profit margin and 20% on the wine itself. Apart from VAT, these are pretty much fixed costs. If you double the budget, £10- £12, the increase in quality and variety is huge and your paying more but paying for what's in the bottle. Double that and now you're entering the world of seriously great hand made wines but does it taste twice as good as your favourite £10 bottle?
http://www.theboxwoodchessmen.com/
https://www.facebook.com/tingiants/?view_public_for=231700547508938
The whole area of strings is very subjective.