UNPLANNED DOWNTIME: 12th Oct 23:45
Ditching your onboard preamp...
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Ok, further to a recent discussion on replacing acoustic pickups and without wishing to totally derail someone else's thread, I recently posted that I'd binned the onboard preamp in my Faith Venus and wired the stock undersaddle piezo directly to the output jack, with pretty good results.
The benefits are that you can use the same outboard preamp for all of your guitars, you can update it whenever better tech comes along, and there are no batteries to worry about. Oh and you get a free soundport aimed at your face
The original preamp in my Faith was fully featured and supposedly very versatile, but to my ears was full of unnatural spikes and notches, and had to be tweaked song by song and venue by venue trying to find a totally elusive sweet spot.
I'm currently running my passive piezo directly into a Zoom AC-3 floor pedal and although it's never going to sound like a pre-war Martin into a vintage ribbon mic it's a solid, serviceable tone which works in all contexts, from delicate recital-type gigs to rowdy boozers full of squawking hen night ladies.
Anyway,
@Jetfire asked me if he could hear the results, so I've done a quick noodle into Cubase with no processing in the DAW whatsoever other than panning left-right and adjusting levels. It's not earth-shattering stuff, but apart from some spitty-ness introduced by Youtube compression it's exactly the tone I get live and it works well enough with a good singer.
(There is a soundhole pickup in the pic, but that was unused, it was just a backup for the now defunct preamp.)
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"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
@ICBM you're right about the transients, but that clipping appeared somewhere between my video editor and YouTube, it's not on the wav I exported from Cubase.
That actually sounds pretty good (excellent playing!). Can still tell it's not acoustic though.
All very much IMHO of course.
I went to a fairly big gig on Saturday, with two acoustic guitarists, one had a very nice sound and the other was absolutely terrible - no visible pickup on the good one (some sort of small-bodied Martin by the look of it) and the bad one seemed to be an electro-acoustic, although I wasn't close enough to see what because he was half-hidden at the back...
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
@LastMantra If you don't plug them in, what do you use instead? Most of the venues I play at are too small and too rowdy to even think about micing up an acoustic, even systems with a blender for an onboard mic are too feedback prone.
I don’t like internal mics either, for what it’s worth - to me they don’t sound much better than a plain pickup really, not at all the same as an external mic, and just cause feedback.
However I have been known to describe electro-acoustics as the work of Satan, and it does annoy me that ‘unplugged’ usually means an acoustic guitar plugged in .
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Sure, there's not really much option I suppose. Didn't say my philosophy was perfect!
Regards, pickup versus mic I think these 2 videos by Kelly Joe Phelps sum it up for me (obviously with a mic a quiet and appreciative audience helps : >)
The pickup he's using is magnetic though and I've never got them to work for me, not least because whatever I get them to sound like, they still have that slightly clanky attack of an electric guitar played super clean.
I've always been a bit of a staunch supporter of UST pickups because as long as I can get good string-to-string balance and a reasonable EQ they do actually feel like an acoustic guitar to play. Getting rid of the quacky plink is a bonus though.
The magnetic soundhole pickups don't help the acoustic tone either. Clamping that much weight to the top really doesn't help. I did it to two guitars, and only realised later that that was probably the reason why I didn't like the sound of them any more.
Soundboard contact pickups like the K&K are somewhere in the middle - although having recently compared a K&K to a Baggs active soundhole pickup in the same guitar, I was quite surprised to find the Baggs sounded more natural and lively than the K&K with no processing. I also tried a Fishman magnetic and a K&K through my Boss, and then the K&K sounded better.
And for what it’s worth, anything other than a magnetic soundhole pickup sounds rubbish with distortion .
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson