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If you have the funds to get yourself a nice Martin, then you should do it. It doesn't matter whether you'll play it live or not. If you can afford and it brings you pleasure then it's a worthwhile purchase.
£3k for a Martin is a lot though. IMO there are other avenues I'd take that might not sound 100% like a Martin but might get you most of the way there for a lot less. Unless you really want a Martin and then look around for a S/H one.
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As for Rosewood v Mahogany, both great choices just a different flavour.Rosewood in general seems to have a more delayed ( reverb ) response against mahogany being more direct. therefore perceivably drier. In terms of different rosewoods, my Indian R/W guitars seem to absorb more high frequency than the 4 Brazilian guitars I have. The Brazilian guitars just have more of everything across the frequency spectrum as well as having more natural reverb.
Basically, its down to the maker, the luck of the draw regarding the properties of the materials and the taste of the player as to what is best.
Right now here in my living room there is a Sitka/Koa, a Sitka/ mahogany ( both Collings ) and my absolute favourite right now an HJ Williams German spruce / Honduras rosewood , they all sound great because the builders know what they are doing regardless of the wood choices.
Anyway I'm not into those all-mahogany Martin's. Rosewood OO28 sounded great (very good and felt solid) bit small, prefer OOO. Best one was a 4k mahogany one, some rare old 450 year old wood. Good balance between mahogany and rosewood. Martins were expensive, big time. I just couldn't do it.
Edit - think I might be lusting for a rosewood guitar now
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They really are just different options. I think I'm starting to realise that 2 guitars if the same model can vary a fair bit, let alone differences in this sort of thing, so even the broad general differences can be contradicted when you get a particular guitar in your hands.
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I've painfully/expensively come to the conclusion back/side woods aren't as important as I thought and there are other things which make more of a difference but the most important thing is finding the right voiced guitar for your own needs/ergonomics are the most important factor of all.
- the soundboard matures over months and years, can be accelerated with a Tone-Rite. You won't know what it will sound like eventually, even by trying it
- in a shop, the acoustics, background noise and string condition rarely allow a fair comparison
- your playing and ears can develop to better-use a certain guitar, hard to see that when you are trying it for the first time
This is why I usually don't buy new!I haven't felt the need or desire to buy or try any other guitars, I'm happy with the one I have. I've have tried a few other guitars at things like get togethers and sessions that I've liked, but I've never felt 'my god I must get that'.
I guess my point is, so long as you have a nice sounding, quality instrument, you'll be happy. I realise that the whole GAS industry is predicated upon people chasing down that elusive tone, so what I say may be nonsense.
I'm not locked in here with you, you are locked in here with me.
It's just GAS.
Must admit the rosewood Martin I tried did feel nice and solid.
I know I've asked a few times @VimFuego but what one to you have again?
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I'm not locked in here with you, you are locked in here with me.