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But at the end of the day a cheap guitar with a pickup system sounds really quite like an expensive guitar with a pickup system when you put it through a good preamp and the PA anyway, so it's worth thinking about if you're worried.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I WANT to use my guitar live, that's why I put an LR Baggs M1A in it, but it means a helluva lot to me and I don't want it getting smashed.
Also, due to hand injuries I use very light strings on my gigging guitars, and I don't want to compromise the tone of my recording guitar that way.
Playability is everything in an electro acoustic for me, I'd really be better off with a bolt on plywood clunker with an adjustable bridge and a great pickup system than a delicate, feedback-prone instrument.
I couldn't agree more. I'll use any guitar that fits the bill for a gig.
That said, I bought a cheap £200 Recording King parlour guitar and it's immense through a PA, so price isn't everything.
With regards dings and marks, so what? Unless you've bought it as an investment and keep the instrument in a controlled environment, get it out a play the hell out of it. That's what they're for and they need to be heard.
“Theory is something that is written down after the music has been made so we can explain it to others”– Levi Clay
Yet if it was my electrics I wouldn't be thinking about it so much!
I couldn't even PLAY properly if I was worrying about damage.
I’m on the hunt at the moment and used acoustics, even of the pricey variety, seem to have terrible resale. Worse than electrics even.
In other words, insure it, play it, enjoy it, look after it seems to be the way forward (notable exceptions being environments where it may end up played by others - as noted above. I solve that by always saying ‘no’)...
One of the times I took the Eko to a gig was when we played at an education centre for kids with learning disabilities. One of them wanted to play the guitar, which was fine. Would it have been so fine if it had been my Gibson? I wouldn't have wanted to say no.
I wouldn't take it to a rough pub gig where there's a good chance it would get bashed either. I've seen too many wrecked Lowdens belonging to folk musicians to think that's a good idea.
It's not really about the value - my bass is worth more than my acoustic guitars and I use that anywhere.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I'm normally in the 'you buy it to play it' group, however when I comes to acoustics/semi acoustics I totally understand the people who propose a cheaper one for gigging.
Over the years I have had a couple of nice semi acoustics (Gretsch 6120 and Gibson ES335 - owned at different times), both of which were bought with the intention of gigging. Took each guitar to a number of gigs and they sounded amazing, but then I found myself getting twitchy, so started leaving it at home for the rougher gigs, then sold on because why have such a nice guitar to not play it. Only to repeat the same thing two years later.
I think it's perceived fragility. I'll happily take my telecaster to any gig, but I have also on occasion used it to push people back onto the dance floor of certain venues. I've also seen my mates Gretsch take a wallop from his mic stand when someone fell into it.
https://mobile.twitter.com/tonyrobinsonnn/status/1079305434404663297?s=12
All the caution in the world can’t account for that