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Lowden is also in the UK. They sound lovely too.
At last years guitar show in Birmingham, I played a Turnstone which really did it for me.
http://www.thefretboard.co.uk/discussion/125932/turnstone-at-the-guitar-show-2018#latest
I'd love something like that one day...
Tom Waghorn in Bristol is another option. He’s such a nice guy. I tried on of his older builds, 10 years old I think. Spruce and walnut and it was superb.
never have I tried an Atkin but who’s heard a bad thing about them? Nobody
the Fourty Three looks incredible
Do you know the price point?
Prices above your limit, but worth checking pre-owned - unless your specs are very unusual.
Think I last saw one on Acoustic Soundboard.
https://www.taranguitars.co.uk/
If I ever win the lottery, this is what I’ll buy (plus a feline lion cub).
I've had had instruments from all of those and three Fyldes over the years; only contest is price - Fyldes can be picked up pretty cheap relative to that lot. Don't get me wrong, Fylde are good guitars but "finest made guitars in the UK"?
At the OPs max of 3K, I'd go looking used; it's a buyers market out there at the moment. If you're lucky, 3K will land you a sole luthier guitar that will blow away most from the small shop makers. I sold a Forster on here for just 1.5k last year (Nigel's gone to Australia so not "UK based" anymore), and a Taran for 2.5K a few years ago.
The fewer guitars that a maker has built, the greater variation there will be between them.
Also, good acoustics in the price range you are in vary massively in the way they play, much more than electrics I think.
I'd advise a visit to a shop that stocks a lot of brands. TAMCO would the the best, although he only stocks US made normally. Also Ivor Mairants, Coda
Are you certain you want UK made?
for a USA one this would be excellent:
https://www.dadsguitars.com/guitars-c1/acoustic-guitars-c5/pre-owned-c9/2007-bourgeois-country-boy-d-model-p123
I have 5 of them, that should tell you how highly I regard them
They stock them at Sounds Great, drivable distance from OP.
I was a little less impressed with 2 of them than I expected, I'd need to go again to see if that was a fluke or bad strings
We all experience something different when we pick up a guitar. Having that "moment" with an instrument can be influenced by so many factors. Dead strings, bad acoustics, etc, can have as negative an impact as when you're in a bad mood and can't seem to get your fingers to work properly. Everything sound s**t.. Conversely, you can still be buzzing from the previous nights gig, spare cash in your pocket and a hot women waiting for you. You could find a reason to buy every guitar in the shop! I've learned over the years to be patient, go back, try it again and then stand back listen to someone else play it before deciding. I hope to be adding a McIlroy to my arsenal in the coming months.
Also, everyone plays guitar completely differently, I play acoustic fingerstyle very loudly, and I've had people tell me "I've never heard my guitar sound like that before" when I try theirs. If they play softly, what use is it finding out that it responds well to me driving the soundboard really hard?
My method in a shop is to try to calibrate the experience with more commonly seen guitars if they have them, or by bringing one of my own if possible
You and me both. Hard tension strings and builders hands. I was once paid an enormous compliment after a gig when one chap came up and said I was the reason he'd started learning to play fingerstyle. Ordinarily I'd have been thrilled at such a compliment but he followed up with "Yeah, If you can play guitar with fingers like that then anyone can!"
Doesn't have quite the same ring to it.......
I totally agree about making your own distinctive sound but I find it very helpful to get a sense of how the instrument projects by listening from in front. It's not too difficult to make allowances for other styles of attack. A good idea to take one of your own instruments along as a benchmark.