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My feedback thread is here.
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
I played a lot of Taylor's a few months back and they sound a little too bright for me, I had better luck with the Martin's I tried, particularly the 00018, which was great. But couldn't help but feel it was a bit old school for me, I'd prefer something more modern in terms of build and feel.
I like something that will ring out for open chords and something that sounds full in that regard, but almost bell/piano like when it comes to single note definition.
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
I'm stumped as to more modern playing variants that aren't handbuilt, maybe someone else could.
Out of interest, what is the general consensus on Ovation guitars? I always thought people hated them! @fields5069 were you being serious? I only ask because I have fond memories of my dad's old guitar and it's not out of the question as I remember the chords sounding fantastic on that old thing.
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
Brook will have a shallower neck if you want to go that way, but they have a really flat fingerboard radius that I really don't like. That may or may not be off putting coming from a 10" PRS radius.
You are unlikely to ever get electric style playability on an acoustic though. Thicker strings will mean more tension. Also, you often hit them harder which means that you normally need a higher action to avoid buzzing.
You might be better off looking at becoming more adaptable with what you are willing to play. I've got different scale lengths and different neck profiles on different guitars and it doesn't really bother me - as long as the neck isn't really shallow, and the fingerboard has some radius.
What the crux of my question really is, is anyone out there pushing the boundaries in the acoustic guitar realm, or is the old recipe still just reliable and stick with that? ie, Martin 00018!
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
My feedback thread is here.
That girl from Surrey who was at the Birmingham Guitar Show had some more unusual innovative stuff (if you can afford the price tag). I'm sure there is a thread on it somewhere if you go back to sometime around February.
Not easy to find, not everyone's cup of tea, more electro than acoustic, etc etc...
http://i.imgur.com/5eVexqo.jpg
If you find Taylors you've tried in shops too bright, it might be the strings - they factory-fit them with Elixirs, which sound tinny to me. They *are* bright guitars, yes - but fuller and richer-sounding if you put normal phosphor-bronze strings on them.
One problem you may find is that acoustics always sound fuller if the action is higher than the bare minimum to avoid audible rattling, which then means they won't play like an electric.
Collings is a good suggestion if you want something high-quality and refined, although personally I find them characterless. But since that's a criticism often made of Suhr and PRS, maybe you'd like them...
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Other than Dobros and similar, 25" exactly may be difficult to find in an acoustic—I think even PRS acoustics have a scale longer than that.
http://emeraldguitars.com/product-category/current-stock/?v=79cba1185463
I recall trying a Rainsong acoustic at a show many years ago and being very impressed.
Seemed to address all the potential issues with acoustics such as wood being subject to temperature changes/humidity etc and sounded great without appearing too plastic.
http://www.rainsong.com/
So it comes down to the Martin 00018 and a Taylor 814ce (or Deluxe which looks great too). Both completely different guitars, I know, but I think the Taylor is edging it. I've yet to try that particular model, but am looking to get my hands on one soon. It's the elctronics that are swaying me and the tone sounds about right for my tastes, at least in video's, I really need to try it to know for sure. All 'round, it seems like a more modern guitar that suits my tastes and requirements. What do you guys think of the 814?
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
Especially Taylor, since their Expression systems aren't compatible with any other systems in the event of failures or parts unavailability in the future.
It's much better to get a good acoustic guitar and fit it with a simple pickup system and outboard electronics, in my opinion… based on many repairs.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
To be fair, I have not yet come across the reliability problems with the new ES2 system that I have with the original version.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson