Query failed: connection to localhost:9312 failed (errno=111, msg=Connection refused).
It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
I think @CloudNine is spot on - they sound very different from the classic flat top sounds on most records - they're not really an 'all rounder'.
this is what they’re for - '90's pickup sound I'm afraid
Tuning Bb1Eb2Bb2Bb2Eb3G3Tuning Bb1Eb2Bb2Bb2Eb3G3
tuning is B D A B E A
there's a few pointers here in these two videos as to what they DO excel at..
The most stupid guitar-related thing I ever did was to sell my '61 J-45 and keep the Lowden.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
They do sound best in open tunings and with folk/Celtic styles. But not the best choice for blues and rock.
There are more Taylors for sale in the classifieds however.
When I did my big 'want an expensive guitar' exercise I was PM'd a mind-boggling number of Taylors for sale (many more than were publicly up for sale)
The couple I've tried in shops were extremely playable, flawlessly built but the sound didn't really grab me by the feels.
Having said that, I have developed a thing for the d35 at my loca emporium, though it's lacking control in the bass.
It’s my experience that when ‘taking up’ playing in the mid ’80’s after a 15 year layoff I very consciously chose a big ‘O’.
On playing one I had for repair - I couldn’t put the damm thing down - I hadn’t felt like that for a long time.
This is the thing - IT was making ME play in a different way from what and how I’d played when I was younger.
Sure it had an intoxicating sound and beautiful made but I obviously was in need of a kick up the arse regarding WHAT I was wanting / trying to ’say’ on guitar.
GL’s instrument ’design’ is very strong, the hole ‘feel’ when playing, certainly the more ’traditional’ Lowden neck / string spacing proportions lends it’s self to a different approach to how you play and consequently what you play.
Ive heard this about certain ‘classical’ instruments from top players - violins, oboes, flutes, pianos AND guitars, it’s kinda like - it’s built into the instrument that IT knows best.
Quite an odd phenomena when you come across it, I think it could be quite off putting, it’s like the guitars challenging you - in a, come on, is that the best you can do ?.
Anyone else had this vibe from an instrument ?.
GL has addressed some of this by offering different neck, string spacing model sizes, wood combos and so on but as I said - it’s different instrument from the trad American model.
Remember the original two models O & F evolved out of of a need for players who had mimicking American fingerpicking blues / folk players and wanted to play ‘other’ music types using those fingerpicking techniques and tunings.
I spent <> 10 yrs developing what I wanted to do on guitar and went out occasionally did solo gigs (in the ’90’s /00’s) -
the Lowden allowed (made ) me do that.
PS. the 'L'25 model MH is playing in the two videos above is Cedar topped - but he's struming with a flatpick - how many times have you heard - Cedar topped guitars don't do strumming - aye right !
I play fingerstyle primarily in open tunings, and as far as that goes I've not come across anything that comes close to my early 90s O-10 other than some more recent Lowdens (I would love an F23C, but with the current price I struggle to see a time when that will happen). Whenever I tune it up to standard I do notice how other instruments seem to sound and feel more familiar in that tuning. That's why we have more than one guitar I guess! I would agree with an earlier post saying a Lowden might not be the best choice as a sole acoustic.
But they don't.