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There are quite a few mic-based systems, not least of which are.....microphones! No, they are not feasible in all situations but they are feasible in a lot more situations than they seem to get used in these days. My favourite mics for live are the AKG C1000, Rode NT5 and the humble SM57.
Then there are clip on mics like the DPA 4099G, K&K Meridian and Audio Technica AT350, Pro70 and AT831. Despite some of the makers' claims, they are often no less prone to feedback than ordinary mics you might put on a stand, but they can be a bit more convenient and of course more consistent sounding because the relationship between the guitar and the mic doesn't change when you move.
There are also internal mics like the MiniFlex 2, and a few manufacturers have dual source pickup systems that combine either a under saddle or soundboard transducer with an internal mic on some sort of gooseneck.
There there are more "pickup-like" solutions which incorporate mics. These would include the LR Baggs Lyric, which is technically a mic but it mounts on the bridgeplate, The LR Baggs Anthem that pairs the same mic model with an under saddle pickup and uses a crossover so the under saddle does the low frequencies and the mic does the high frequencies (idea being you can use it in less forgiving environments), the Fishman Rare Earth Blend and Seymour Duncan MagMic which both combine a magnetic sound hole pickup with a built in mic.
I've had experience of most but not all of the above and my conclusion is that understanding what your typical live setting is like is critical to finding the right one. If it's plugging in at an open mic, or playing in noisy environments whilst doing your own sound, and with limited sound checking, forget the lot of them and go with a K&K Pure Mini soundboard transducer which will get you 80% of the way there with none of the hassle. It will sound immeasurably better than the pickup in your Tak and only be a little bit more feedback prone.
I spent my youth trying to be Jeff Lang.
Whilst not everybody is a fan of Maton guitars, I can honestly say I am yet to find a better acoustic pickup than the Maton AP5 Mic Pro. But it's pricey.
So +1 for the k&k. Its great value.
1. folky duo with female singer. Will be doing gigs, open mics, etc
2. strummy stuff with 8-piece TexMex band. Currently just using the built-in pickup for this.
Any idea where to get a Maton?
R.
Eqd Speaker Cranker clone
Monte Allums TR-2 Plus mod kit
Trading feedback: http://www.thefretboard.co.uk/discussion/60602/
The Aura is a very fussy system to set up for the best results. I've never tried it with a Takamine, but I wouldn't expect it to work as well as using a straight pickup - I've got one which I use with my Gibson Dove with a plain Fishman AG094 (which sounds very nasty on its own), and it sounds great - but less so with my Gibson CJ which has its original LR Baggs preamped undersaddle pickup.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
That blender is the best pickup I've got but it would probably cost somewhere around £300 to get something like that fitted. I've got a K&K Pure Mini in another guitar and (as others have said above) it's very good. It gets you most of the way there at a much lower cost.
The other option (Aura on the cheap if you like) is the TC BodyRez. I picked one up second hand on the classifieds for around £50. I've got a cheaper guitar with just an undersaddle that I take places I won't take my nice Martin that I use the Body Rez with. It does improve the sound and make it sound more natural.
Boss have recently bought out something as well that uses digital trickery to add "acoustic resonance" to the sound. If that had been out a couple of months earlier I'd have bought that instead of the BodyRez - if only because I trust Boss pedals not to break.
http://www.guitarguitar.co.uk/pedals_s_detail.asp?stock=161026303211008&gclid=CMuX7_eWodICFeQp0wodyvIMsA
I got what I thought was quite a reasonable sound from the Takamine pickup by recording direct into Logic and applying a Taylor IR. Sounds like this:
Presumably, I could do something similar live? Another reason to consider a Helix!
R.
Eqd Speaker Cranker clone
Monte Allums TR-2 Plus mod kit
Trading feedback: http://www.thefretboard.co.uk/discussion/60602/
Otherwise it would be a lot cheaper to try the TC or Boss pedals first.
R.
Eqd Speaker Cranker clone
Monte Allums TR-2 Plus mod kit
Trading feedback: http://www.thefretboard.co.uk/discussion/60602/
One of the plugins in Logic allows you to apply an impulse response to the signal. I found an impulse response of a Taylor 314ce recorded with a Neumann U87 on t'Internet somewhere and applied it to the raw signal from the Takamine pickup (plus a bit of reverb and possibly compression).
R.
Eqd Speaker Cranker clone
Monte Allums TR-2 Plus mod kit
Trading feedback: http://www.thefretboard.co.uk/discussion/60602/
I've always wondered why there wasn't a software version of something like an Aura that you could use as a plug in on a DI's guitar in a DAW....
R.
Eqd Speaker Cranker clone
Monte Allums TR-2 Plus mod kit
Trading feedback: http://www.thefretboard.co.uk/discussion/60602/
Sadly most of the Collings ones don't play nicely with the K&Ks I've got in mine - resonance on top of resonance doesn't sound good - but there's a Taylor one and a Hummingbird that sound quite good - certainly good enough for demos.
Thanks for opening my eyes to this!
Eqd Speaker Cranker clone
Monte Allums TR-2 Plus mod kit
Trading feedback: http://www.thefretboard.co.uk/discussion/60602/
https://www.dropbox....vV4YwMY7Wa?dl=0
R.
Eqd Speaker Cranker clone
Monte Allums TR-2 Plus mod kit
Trading feedback: http://www.thefretboard.co.uk/discussion/60602/