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My standard recommendation is a Taylor GS Mini - but they have small/narrow necks. I've got biggish hands and get along fine with mine - but I know the feel doesn't suit everyone.
a Levin Dread, his recorded 'sound' on that guitar was a mix of the strings available then - Black Diamond / Cathedral or Gibson Monel which were actually mainly for electric guitars but sounded better that the two I mentioned there, heck I used them then. Plus his slack tuning's and recording setup, remember back then people didn't go for or rate the precise 'on steroids' acoustic tone we've come to expect. And dont forget back then you wouldnt think of changing a set of strings, they stayed on till the windings frayed or they broke - that contributed to the 'mellow' sound.
plenty of other brands too, others will advise you
A Martin 00x1ae (I think thats the name?) could be another option, I think they have also just released a version with a smaller top width, more like the Guild and both are around your budget, they do have spruce tops though so if you're after that mahogany sound they may not cut it.
It was a 'prop' that looked the part - on that day.
Just type in Nick Drake - pictures - the only picture where he's playing a mahogany Guild is in one 'artistically' setup pose.
The power of one photographic image - eh.
example = I used to do a bit of buying / refurbishing and selling guitars -
Gretsch guitars
- you couldn't give them away - and were on theyre way out as a guitar making company at least, until this -
second hand prices went rocketing - and they're still in business.
It's a wonder BSA motorbikes didn't 'take of as well.
A Dreadnought and nylon strung Yamaha are the sound of those first two albums without doubt, Pink Moon could quite easily be the 000-18 or the Levin. I honestly think most of his "sound" is simply the tunings and a lighter touch along with the dead strings.
No idea how much he really played that M20 (I think it was Richard Thompson who said he always saw him with it?) but the mythos around it along with John Frusciante's use of a 0-17 was all that I needed to get a 0-15 (would have gone for the M20 but I didn't want to wait the extra month or so for Thomann to get one in stock!)
That said, a small mahogany box with light strings does work very well for that sound and is a great size for playing around the house!
I find with acoustics, playability issues or foibles are far more noticeable. I can get on with almost any electric (big necks, small necks, body contours or no etc) but acoustics tend to differ far more.