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Nickel alloy wind = lack of tonal character - but hey - it's so retro - who cares.
BTW - nothing new here, whatever the snake-oil salesmen tell ya - anyone remember Rohrbacher titanium core nickel wound strings from over a decade ago ?
I find it very telling that nickel isn't used in strings for the violin family (except the VERY cheapest) - they may not be so easily led by advertisers and more discerning about tone.
The yanks wont buy into these - they like their 5 bucks a set stuff to much.
I did wonder if they were acoustic bass strings at first, from the price - and bronze acoustic bass strings sound shit, so it wouldn't have been so odd to use nickel… but no, it clearly says 6 strings.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
(PS I use Retro strings for body chemistry / longevity reasons, not because they are fashionable)
https://www.newtonestrings.com/shop/master-class-acoustic-6-string/
Don't know if this is their reason why but round core strings tend to be more flexible under the fingers and have a different sustain characteristic (longer initial sustain then a sharper drop off compared to a more linear decay of hex core)
Also round core are invariably 'hand wound' in that they 'feed' the wrap wire - by hand, onto a spinning core - yes the use a machine to 'spin' the center wire.
As for sound differences - Hmmm don know - I seemed to gravitate too round core strings long before I knew any of this stuff
I forgot to add above - the bronze alloy used by different manufacturers comes in different qualities (from 'music' wire manufacturers) - and as with everything, strings are made to a cost.
I started using Martin Retro because I was struggling to get 2x45 minute sets out of phosphor bronze (D'Addario and others). I have tried the coated strings, but my right hand attack with plectrum just wrecks the coating! The Retros seem to be a reasonable balance between cost and longevity.
I have grown to like the nickel/monel sound now, and it suits my style of playing, which is fast single-note lines (or "twiddley-diddley music" as my sister calls it).