UNPLANNED DOWNTIME: 12th Oct 23:45
A genuine capo innovation from G7th....
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First off, this capo costs 130 quid which means that unless you capo nearly all the time (some of us do) it's a ludicrous concept but I imagine that this ART technology is going to start showing up on their other capos too...
http://www.g7th.com/getmetafile/c9abe673-c8d9-4f2f-bd68-d7736f3ea651/Heritage_Guitar_S_Style1_539.aspxhttp://www.g7th.com/heritage-capos.aspxI don't subscribe to the idea that capos that don't exactly match the guitars radius need to necessarily pull things out of tune....just place it right next to the fret and that doesn't happen, but I have experienced that the mismatch can be a total fret killer because applying enough pressure across all the strings means a couple of them are really getting mashed down hard. I've put divots in frets within a few months of play due to this. So balancing the cost of fret dresses across a few different guitars, this starts to not look so ludicrous if it actually works....especially if you are a fan of this style of capo.
Still, for the same price you could put a Shubb in every case and probably every room in the house....but f*ck I want one....
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I can't see there's much advantage over the Shubb apart from it being all nice and shiny.
However I think the fact that It moulds to match the radius of the fret counts as a genuine functional thing beyond aesthetics. Although Shubbs kind of do that by virtue of their thick soft rubber.
Even if you have one for every guitar, Shubbs are still a pain as the neck gets deeper as it goes up. if you adjust so it's right for the first fret then it will pull the tuning slightly sharp on the 4th. Worse than that it seems to affect different strings differently. If the whole guitar was slightly sharp but in tune with itself it wouldn't be so bad. I find the tuning is much better with the G7th.
I'm not sure I like the look of that new one though.
I can't help wondering if putting a squidgy layer on (sorry, 'ART technology...' ) a Capo isn't something that might soon show up on more modestly priced items though...
I own 2 Shubbs, one G7th Nashville, and one elastic cheapo Capo - I can never find any of them
People who like this yoke style of capo won't balk at the price because they'll have seen Elliots and the like (same kind of price). Even Shubb's own version will run to about £90 with shipping and VAT etc and that doesn't offer anything new. Paiges are cheap but they feel it in use too and again, still give you the problem of radius.
Anyway, fuck it I've ordered one. They had me at "shiny"
"The Klon of capos" (r)
The Kyser still is - and will probably always remain because it's impossible to make it any simpler - the easiest to use and most hassle-free capo there is.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Adaptive Radius Technology when they mean a piece of rubber. Genius.
Pretty much every capo I've used has had a piece of ART on it. I just didn't know it was that technically complex.
I have an original G7 and it works perfectly (as far as I can tell). I just can't tell what ART is.
There's an "A.R.T. explained" video on their FB page:
https://www.facebook.com/G7thTheCapoCompany/?hc_ref=SEARCH&fref=nf
For people who never experience this radius mismatch issue, and don't like yoke capos because one-handed operation is a thing for them, there is very little to appeal about this.
Personally, I only play un-capo'd about 20% of the time and both of my main acoustics have a compound radius, and I love the yoke design so it ticks a lot of boxes for me. Very expensive....unless you compare it to a TS808, or some NOS Tung Sols or etc etc etc
"The invention involves building a flowable material/medium (e.g. a fluid, gel, paste or equivalent type of substance with embedded solid particles), preferably contained within a chamber, into the clamping arm behind a hard layer made from a firmer, but still adaptable, material (e.g. rubber) that may be in close contact with the strings. The harder material must provide a solid surface that isolates the strings from the flowable medium behind it. If the flowable medium were enclosed only by a soft material wall that, in turn, was in contact with the strings then a dampening of tone would result."
So basically, instead of having soft rubber pressing down on the strings (and adapting to any radius), they have harder rubber with a layer of gel behind it, the gel allows the hard rubber to bend into a radius but the rubber itself is rigid enough to press down on the strings with a more even pressure. Like all good patents, the essence of the invention is very simple.
https://www.google.co.uk/patents/US20160247490
I wonder if I've been out of tune all my playing life?
I've owned a Klon - I get it
Or possibly even a G7 capo...
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
It's a chunk of money, but if it works that well it doesn't seem particularly unreasonable for someone who makes a lot of use of capos.
I didn't realise until I looked at their website in response to the OP that they brought out an updated version of their normal capo a couple of years ago. I'll wait until I lose or break my current ones though.
I had one of the updated Performance2 capos. Lovely capo.... much lighter and less obtrusive that the Performance 1. But had to send it back because it just didn't work well with the compound radii on my main acoustics. You had to squeeze it way too hard to get firm contact across all the strings, hence my keenness on this one.
Capo di tutti capi........
Too expensive
There's things I've had, there's things I wanna have"