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The Boss AD-5 is pretty nice and has both piezo and magnetic input options, although it doesn't have compression.
To be honest I would probably look at a small acoustic amp with two channels though - that will give you better control over your own sound and monitoring even if you're then connecting it to the PA as well.
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I will look into the AD-5
unfortunately, he's disabled, and needs to travel light, so would prefer not to take an amp.
He's looking at paying pro prices, if cheaper stuff won't suffice
Originally I had pointed him to the Yamaha AG stomp, which I found quite good, but that didn't work out
I see Radial do a few things, but I just haven't researched acoustic preamps much, for me it's either mic'd or into my AxeFX2, which must be the most overlooked acoustic preamp in existence - studio level reverbs, complex delays, multi-band compressors and IR of guitar bodies, plus any other fun stuff.
Possibly most importantly it's includes bodyrez, which anecdotally plays OK with transducers and magnetic pickups but I'm not sure about helping the resonator tone – might add a bit of body?
Adding a 3 switch will allow turning selected effects on the fly.
I ordered a b-stock one from thomann then realised I'd be better of with its bigger brother (voicelive 3), I'm waiting to hear if they'll let me return it if not I'll be looking to move it on for £190 posted (the price it cost me).
http://www.orchid-electronics.co.uk/acoustic.htm
The Radial stuff is the nuts (I use a PZ-PRE) but it's not cheap.
I'd send it back if I were you, the new price is less than £190 now btw, B stock is lower still
I've passed on the recommendation, but I think if he got one he'd be better getting the 3 year warranty in his own name
There's a full monty AD-8 these days too with all sorts of stuff.
Feedback
As their website says, "Orchid products are hand made in small batches in the UK"
Orchid are a small UK company producing pro-spec electronics by hand - which is never going to be as cheap as Chinese-built mainstream brands. Crazy? Maybe, maybe not?
Even Feline guitars are struggling to make guitar production profitable/sustainable and they're not exactly cheap.
i agree with the point of small scale British made stuff having a higher price through labour costs and material costs as well as legislative burdens that may not exist in places like China
Many guitars have a re-sale value. Some you'll never want to sell.
Stockist of: Earvana & Graphtech nuts, Faber Tonepros & Gotoh hardware, Fatcat bridges. Highwood Saddles.
Pickups from BKP, Oil City & Monty's pickups.
Expert guitar repairs and upgrades - fretwork our speciality! www.felineguitars.com. Facebook too!
Making simple electronics in small batches, by hand in the UK is not going to compare well with Chinese factories, for various reasons. It's not an adequate explanation though - what is the benefit to the user of having small-batch electronics?
Why aren't iPhones made this way?
we are talking about a single-channel preamp with BMT + Vol, costing £180, and it looks like an old Maplin kit tbh
It seems to me it's mostly intended for vocalists I'm afraid
We revisited the Bose L1 mixer, which did better on its own
I now think he needs a 4 channel mixer, with 3 channel EQ, gate, comp and reverb on each channel
any recommendations
If the Chinese built stuff in question comes from TC then in my experience you've only got about a 50% chance of it lasting 5 years without breaking as well.
What's great about discrete components anyway (actually, it could well be ICs in there)?
You can hand build something with rubbish components but most cottage industry types will use higher quality components. For example they use good quality film capacitors rather than cheapo ceramics. They will probably over-engineer it a bit as well. If a capacitor rated for 16V is 10p cheaper per thousand than a 25V one then the mass manufacturer will use the 16V one. The small guy will use a 25V one to get a bit of a safety factor. As an example this is why it's safe to run Fulltone (and some other boutique manufacturers') drive pedals at 18V where it's not a good idea with the cheaper mass market stuff.
It's a matter of what your priorities are when you are designing as much as anything. The big manufacturers will compromise on long term maintainability, and possibly on component quality that might get you the extra 2% so that they can make it cheaply. If it dies within the warranty period it's cheaper for them to just shove in a new board, or give you a replacement. If it dies after the warranty is up, you often have an unrepairable brick - as I know from experience with some TC stuff.
I know from experience that TC pedals have PCB mount jack sockets and switches. The circuit board can be populated by a machine and it costs peanuts. When they break you have a real problem. Best case they are a fiddle to repair. Worst case it's a bespoke component that you can't get and/or whatever broke the jack has cracked the PCB. A lot of the small cottage industry types will use chassis mounted jacks. The board will never get any stress from someone treading on the cable and they are a doddle to replace. It is what your design priorities are.