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You'd need to route the cavity so perhaps first try a sc sized humbucker in there first to get a taste. These sound ridiculously good for the price:
https://northwestguitars.co.uk/products/artec-hot-rails-stacked-humbucker-neck-pickup-for-telecaster?variant=45461105213714
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
You may not realise how much it’s affecting the sound unless you remove it and go back to traditional wiring.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
If you don't mind re-routing the cavity then a p90 is a wonderful option. As would a gold foil, Charlie Christian or dynasonic / filtertron etc.
It's really obvious when you hear it with a band too. I took the 4-way out of my friend's Tele - he's the guitarist in the band I play bass in - because he found the four positions confusing, he has two other Teles with three-way switches - and the difference in tone was HUGE. Far clearer and more properly Tele-like in the bridge position with the 3-way switch. (It doesn't affect the other two as the neck pickup is on anyway.)
As in you would have to be deaf not to hear it.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Been thinking about getting the 4 way and S1 switches taken out of my 60’s CP tele in any case, maybe get a set of Oil Cities in there. @ICBM How does it change the bridge pickup sound if you go back to traditional wiring?
The reason is that in the 4-way scheme, the neck pickup is switched at the *ground* end not the hot, so when the bridge pickup alone is selected, the neck pickup is still attached to the circuit, and that interferes with the sound of the bridge pickup even though no signal is actually coming from the neck. It doesn't affect the middle and neck positions because the neck pickup is then on and so grounded, the same as it would be in the standard wiring.
The bridge pickup was not adjusted during the work, nor the strings changed, so the difference is definitely the wiring.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I adjusted hights after installation of the 4 way so maybe I dialled out the difference by compensating on hight .
I prefer my tele with a mojo gold foil in the neck and oil city nocaster in the bridge as it's a closer match. It also has a 5 way switch.
I now gave a double tap Q pickup in the neck and the high wind option sounds very p90ish to me whilst still matching the output of the bridge esquire pickup.
https://imgur.com/a/GyVZ982
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Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog
.......You need Another Guitar !
I have a couple here, one with JB humbucker in bridge, and a Mighty Mite Motherbucker ( ceramic) in the neck, OOP in middle position, mahogany body, maple neck, so it doesn't sound very tele like at all, more like Greeny TBH, and I have another, my latest, which has a hot Mojo PAF in neck, and a Cream T Billy Gibbons Banger humbucker in bridge ( quite a low output TBH ), in a GSP Basses smuggler rout Ash body / maple neck- middle is in phase, but I have no tone pot, and it gets a nice thraty / woody sound when the vol is turned down, plenty of twang in bridge position, and a nice Santana style neck sound.
Louder neck pickups were a revelation to me, when paired with something hotter at the bridge, a JB, or JB Junior is around 14k, so something around 16k in the neck gets interesting. Lower output in the neck ( to reduce the muddiness) seems to give an underwhelming mid position.
YMMV.
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog
Traditional PAFs have a sweet spot around 8k, ( rule of 8 for a good LP), and the JB was originally wound to be a slightly 'hotter' version, was quite surprised when I see they are 14-16k.
Maybe they have evolved somewhat, and they are favourites among heavier players ( style, not weight)
Each gauge of wire has its own sweet spot by the way. With 42awg it's around 8k, for 43awg its 13-14k and for 44awg it's of course higher.
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog
I just put a Lollar Special T in my latest MJT Tele and it's phenomenal. At the risk of using ridiculous adjectives to describe sounds and feelings, it's fat and squelchy and more satisfying than any P90 I've had.
It replaced a PAF style humbucker (Lollar Imperial low wind), and it suits the guitar far better. Even with appropriate wiring (500k pots and extra resistor so the bridge sees 250k) the PAF was fine but not amazing. Great on the middle position actually, but the contrast between neck & bridge was too much to set up a solid base tone on the amp.
I think a staple would be a better option from the P90 family, but personally I'd go for a Firebird pickup instead of a P90 as it would match the bridge pickup better.