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Instagram - https://www.instagram.com/templemandolins
YouTube: http://www.youtube.com/@fromtheworkshop
So what I'm saying is they're not all the same. The O25 is a big body, lovely bass, almost piano sounding in its clarity. I mostly fingerpick, as I find it more satisfying - I don't do much strumming.
Different wood combos for different styles I suppose.
The build quality is top notch. I would never part with mine. I fitted an LR Baggs m1a soundhole pickup which is perfect for the odd open mic night. The sound guy always comments on the quality sound & the even string balance.
The string balance was one of the main factors in the guitar's initial appeal to me. It's also loud.
Recently I tuned it to DADGAD, I'm not into Irish reels & stuff, but it really SINGS in that tuning.
I know someone who has a couple of Taylor's and they are well built & sound good. Nice instruments.
Beyond that it's down to the model (size and wood preference) and your own style, but I wish you good luck in your choice!
Mike.
Just my two penneth worth here, but if you're a heavy strummer then I would seriously avoid a Lowden. As great as they are, they're fingerpicker guitars and with anything other than really light strumming the upper harmonic content just gets out of control for me, even with the F models. An Avalon is a much better shout for a more focused sound when strumming due to the bridge pin design and they also do the Celtic fingerpicked thing very well too. Much more versatile guitars in my opinion.
If you're local to Reading then give me a shout and you can try a few of the ranges out to see what you think. I've got an Americana Custom Slope D with Adirondack and Madagascar and it's an absolute beast!
All the best,
Graeme
Instagram - https://www.instagram.com/templemandolins
YouTube: http://www.youtube.com/@fromtheworkshop
Instagram - https://www.instagram.com/templemandolins
YouTube: http://www.youtube.com/@fromtheworkshop
Instagram - https://www.instagram.com/templemandolins
YouTube: http://www.youtube.com/@fromtheworkshop
Instagram - https://www.instagram.com/templemandolins
YouTube: http://www.youtube.com/@fromtheworkshop
How did you find the Redwood stood up to your heavy strumming? I would say Spruce all the way for that sort of stuff due to Redwood getting a little compressed when pushed. It’s still a lovely tonewood though and does work well with Walnut.
In the shop I was able to play the Lowden and a Taylor 814ce. There was no comparison between the two. I still like the Taylor's tone, but in terms of volume, definition, clarity of the notes, the Lowden was far superior.
Other Lowdens in the shop, also more expensive - e.g., F50 - were also very good but I liked that F35c more, with its combination of Alpine Spruce and Chechen.
I don't know why, but I hear more tonal differences in the Lowden range than in the Taylor range. So, I'd suggest you play and hear the guitar you are buying.
If I have to find a downside with the Lowden, it is that being so clear, defined and rich with harmonics, your playing will have to be cleaner. The Taylor is more forgiving.
PS. I play almost exclusively fingerstyle.
Instagram - https://www.instagram.com/templemandolins
YouTube: http://www.youtube.com/@fromtheworkshop
I've only owned 2 Avalons but played a number of them a while back when I was looking. Absolutely lovely guitars for sure. I'm not knocking them - but I have always gravitated to the Lowdens personally. I've owned 4 Lowdens now, just the one at the moment. And 100% understand the overly busy harmonic side you mention. I have found though, string choice is a big part of this, and adapting to the instrument - I cant sit and bang on a Lowden like I can on a D18 for instance.
I guess to me, when you say focused, I think more about the mids being focused, like how a S vs a F vs a a Dread would change that mid focus.
Back to strings, I really struggled when the Lowden's were all strung with Elixirs in the shops to work out what I liked and what I didn't. Everything sounds over the top and brand new.
I couldn't agree more. Elixirs themselves have that over the top artificial super high end, which some people love, but personally it's too much for me. Great for a really cheap, dull sounding guitar, but for something like a Lowden that already has a bit of that inherent in it's sound it gets way too much and, like you say, the tonewoods don't shine through as much.
Instagram - https://www.instagram.com/templemandolins
YouTube: http://www.youtube.com/@fromtheworkshop
They do seem to vary alot across models and wood combinations so would second the advice about trying the particular instrument you're thinking of buying. Will be a fun search no doubt!
They are much cheaper second hand, and don't suffer from the issues caused by the glued on bridge
Other than that, they are currently not mass produced, and most of the models are based on the same design
I've voted with my feet, and own several
Stiffer Adirondack has a lot of range with plectrum strumming, but harder to fingerpick. However some spruce tops are very sensitive with fingerpicking, so not all are the same - depends on the wood and the luthier's design.
Anyway, some people like cleaner electric rhythm playing, some like dirtier. Spruce will be crisper, redwood less so. Having said that, one of my redwoods sounds like there is some kind of harmonic exciter in play when fingerpicking