UNPLANNED DOWNTIME: 12th Oct 23:45
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Well, strumming and hybrid.
For some reason, over the last few months I've become a bit obsessed with the Laurel Canyon scene - CSNY, Joni, Gene Clark, etc. Among other things, I love that balanced, clear but not piercing acoustic guitar sound. And let's face it, more acoustic/less electric is quite likely....
I was hunting for a 'do it all' steel string (and was considering Eastman), but increasingly I'm edging towards more of a strummer. I have an old Washburn 1991 ltd dread, but it is pretty bright, even after messing with strings and picks.
I can't afford a D28 or a J45. What is worth looking at, in terms of brands, scale length, models or specs? I guess budget would absolutely max out around £1300-1500.
Merci folks
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Whether this is what the OP means by "strummers" I don't know, it's just my guess.
The qualities seen as desirable (ie reasonably spread across the spectrum) for picking tend to be more pronounced in smaller bodied guitars, where the more bass heavy tones that make strumming sound fuller/better/louder tend to be (much) better in larger bodied ie dreads, jumbos and super-Js
Strum a big jumbo and make sure no-ones standing too close in front of it
just because you do, doesn't mean you should.
But I think acoustic guitars...might be different. We'll see. I'm really no expert on them and just need to play a lot of them. Maybe I'll revise my expectations.
I've personally never found a rosewood guitar to be ideal for a dedicated strummer - too many blooming overtones. They can sound lush and rich if you're strumming slowly and lightly... but with snappy, syncopated rhythms I always felt like I was fighting the instrument's natural envelope. I find rosewood trickier to record too - I've heard of a few D28 players that end up using a D18 in the studio.
Mahogany for me has a direct and dry character that never seems to get in the way when accompanying vocals. Maple is even better for fast and snappy rhythm work with its fast attack and decay.
Lightly built/braced and highly responsive guitars don't work for me with strumming, it feels like I'm fighting the guitar and pushing it past where it wants to go. I do strum fairly hard and percussively to convey the feel and groove of a tune in the pop & soul choir I accompany.
I've eventually settled on a maple SJ-200 Studio I picked up cheap from eBay. Once I'd installed a Baggs Anthem SL and took it in for a refret I'd spent a total of £1500. I'd avoided them for years due to the bling, but this one's fairly plain and has made a believer out of me. The ultimate strummer.
I have other guitars for fingerpicking and flatpicking but if I was only allowed one acoustic for all styles, with your budget, it'd absolutely be an Eastman E10D.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Takamine Dreadnaughts or Santa Fe models were played by them you can see them in hell freezes ove video . Also there are some beautiful Martin and Gibson lookalike dreadnaughts by Sigma which are supposed to be very good ( sigma used to be a Martin product but has been bought by another company for manufacture in Asia )
When you try guitars one will stand out, for whatever reason
Used ones still cost a bit, but they can be affordable if you find the right one. My US-made Guild is not the equal of several of my other guitars, but it was easily the cheapest of them and it is by no means disgraced: I play it nearly every day and reckon it's a damn good instrument. I'd buy another one for sure.
Chinese made Guild D140 or D150 great value alternatives.