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(BTW, last time someone mentioned those guitars here I laughed a little bit because they had written "reimagined" where the actual term Martin uses is, of course, "reimaged". ... um ... no it isn't. Woops!)
If you try models in that series, and they work for you, you'll love 'em. The HD-28, with its forward shifted bracing, is LOUD. But make sure that the soft V is comfortable for you. I fell into the trap of thinking I could get used to it.
@blueskiwi ; basically, the Re-imagined series is an update on the Standard series. The updates are:
Neck profile
Aged toner and open gear tuners
Bracing
I liked the neck on mine as soon as I played a chord, still love it now. I def agree it could be a bit of an acquired taste though.
And it is LOUD. Very loud. The first thing I did when I got it home was play it in the bathroom - I've always done this with acoustics, it's good to hear the reflected sound. Anyway my HD-28 took me a bit by surprise
In 2018 the re-imagined spec was being flaunted as a major reversion upgrade re-incorporating some of the features of the post-war Martins. And it was good stuff! I have a 2018 OM28 re-imagined. It's great.
Moving on (to now) the 'Modern Deluxe' iteration is the latest 'best thing'. It's a) different b) not that brilliant and c) bloody expensive!
Essential message - if you want a nice mid-range Martin, buy the Standard. They're cheaper, are 100% identical to the 're-imagined' spec and they're very very nice. Or you can spend a whole lot more for silly things like 'liquid metal' bridge pins and titanium truss rods.
Martin smoke and mirrors. Very expensive smoke and mirrors too. IMHO. Others may disagree.
OM-28 | Standard Series | Martin Guitar
OM-28 Modern Deluxe | Modern Deluxe Series | Martin Guitar
Buy the Standard (i.e re-imagined). You'll be happy, able to pay your gas bills, AND own a better guitar.
:-)
Or buy a Furch.
I find I'm not at all fussy about neck profile, but I prefer the narrower nut widths... I can cope with 1 3/4" but prefer 1 11/16", though it seems like by and large Martin are using the former.
Should also be said the 18 series was also reimagined, but earlier and without the ‘reimagined’ prefix. Any 18 series from 2012 onwards will be ‘reimagined’ also. If you don’t have a serial number to check pre or post 2012 18 series, a giveaway is the tortoise shell pick guard, as opposed to the black one (another reimagined change). Same can be said for 28 series, except for the current sporadic examples that are coming out with a black pick guard, due to tortoise shell shortages.
Sorry. We now resume scheduled service ...
Martin website shows and describes the 000-18 as having it https://www.martinguitar.com/guitars/standard-series/000-18.html
But I saw a couple for sale recently that looked like they just had plain black binding despite being made since 2018. But to be fair was a bit hard to tell from photos
However the 000-15 does say "Due to material availability this guitar is designed with either a tortoise pattern or black pickguard. Selection may vary."
https://www.martinguitar.com/guitars/15-series/000-15M.html
Personally when I tried both series, there wasn’t a huge difference in tone, as you would expect, but all those little changes made me opt for the MD (for roughly a grand more). The MD did sound more balanced to me, but that could be down the the individual guitar. The MD neck carve is perfect for electric players and the guitar looks a whole lot nicer with the flames maple binding.
Furch don’t really do the Martin sound that well, although they are stunning guitars. Most people put them somewhere between a Martin and a Taylor, but to my ears they are more in Taylor territory (absolutely wonderful guitars though, and impeccably made).
On to your last point, I don't think anyone does the Martin sound well, at least not amongst the makes that I have tried often enough to have a mental picture of. (Can one have a mental "picture" of a sound? Oh well, you know what I mean.) Even the guitars which shamelessly purport to be "D-28 clones" aren't. They tend to have a brighter, shallower, more lively sound. (Come to think of it, the Martin guitar I most regret not buying, a second-hand HD-28, was also notably light and bright by Martin standards. So maybe the clone makers have the right idea!)
Anyway, I rather suspect that any make which really did produce guitars with the Martin sound would be roundly criticised for having a "muddy bass".
I wonder what would happen if parliament passed a law to the effect that anyone buying a guitar had to choose it blindfold?
I loved the pre Re-imagined models. The D-35 I had in the 90s was one of the best acoustics I've ever owned..
The Re-imagined series I'm not such a big fan of. But that's just me, you might love 'em
Very, very easily.
It used to be that Martin made an excellent guitar for 20% over the going rate. Not any more. Post pandemic, their prices have shot up to the point where if you can't find a guitar of significantly better quality for significantly less money, you simply aren't looking.
I nearly bought a Martin in 2019, and again in 2020, and again in 2021. Now they are asking insane prices for low-end products. Just not worth it anymore. Plenty of other fish in the sea.
I went to GG to try Atkin, just to see if *they* were better for less. Was very disappointed.
Atkin are good guitars, as are Fylde and other uk makes, but after 50 years of either Martin or Gibson, it seems that's all I feel right with.