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You might find a wider audience for your questions if you moved your posting to the 'Guitar' or even 'Acoustics' section.
Next to your thread title there is a 'cog' shaped icon on the right.
Click on it to edit the post & select Guitar or Acoustics from the drop down Topic list to move it, then click save.
Hope this helps
Not hard to see why someone would be inspired by the Everlys. I can't help you with any information about your Antoria J-200s. Indeed I know very little about the Gibson ones - I've never played one (not even an Epiphone or a copy) though I've long had a yen to. I love jumbos, they are their own world. I own one (a baritone) and have a second one on order (also a baritone) but one of these days I'll get a standard-tuned one. Who knows? Maybe even a J-200, if Gibson haven't priced themselves out of business by then.
If you get stuck, Admins & Mods are listed in New Members, just pick one and send a PM
https://www.gumtree.com.au/s-ad/wombarra/guitars-amps/ibanez-antoria-j-200-rare-gloss-black-1978-jumbo-acoustic/1289177502
Is that similar to yours? From the “sound hole label” it’s a good match. It looks like it’s the same guitar as an Ibanez Concord 698 and made after the lawsuit from this link and also other links, I am however not sure if the info is correct or if my search results have just copied the info between each other. The earlier Antoria 698 models had the open book headstock and the moustache bridge which probably had to be changed following Gibson’s demands.
Edit to add: If they used the same serial number structure as Ibanez then it was built in November 1977
There was no lawsuit between Gibson and the Antoria brand that I can recall. They all copied Gibson and Fender through the 70s. Ibanez stopped first, making their original shapes like the Roadster, etc.
Slade used Chas Chandler's sunburst 1960s Gibson J-200 on recordings, and used their own Antoria in the video and TV work.
But, having said all that, if you want the Don Everly sound you need an early 50s Gibson Southern Jumbo (or J-45), which is what he mostly recorded with. And a capo. Brilliant. Actually the Epiphone J-45 isn't a million miles away from that sound. Don Everly though! When he played live, the Everly models sounded great, too. It must have been something in his touch and technique ;-)
The Antoria J200 came out mid 1970s and came in about 3 different finishes. Maple, dark tobacco burst and sunburst. They are solidly built guitars and as I've said sound good. Unfortunately though there are some sellers trying to pull the wool over some eyes and asking well over £700! which is ridiculous!!!
https://reverb.com/au/item/13805944-superb-vintage-antoria-698m-replica-gibson-j200-oasis-1974-maple
Phil and Don are gods.