Query failed: connection to localhost:9312 failed (errno=111, msg=Connection refused).
It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
Yes, you can buy online, with the option of returning. Many on the forum have done and been happy with their purchase, but trying before buying means you can check it out for tone, playability, possible issues
Build quality/ finish was fantastic, with the only proviso: I couldn't take to the neck profile, it was chunky/ blocky feeling and ultimately that's why it had to go. Also, factory setup was pretty high so I had to file the bridge saddle down. I think the necks might be epoxied to the body, too, making neck resets a lot harder down the road - but don't quote me on that.
Bandcamp
Spotify, Apple et al
Back in 2020 when I tried the first one, I was pretty keen on a baritone but I'd never played one and no-one had stock of the Alvarez this side of Melbourne, 5 hours drive and an overnight ferry away. The Guilds were not yet released. I was advised by a couple of people I respect that the Alvarez was much better than you'd expect at the price point. One of them was a happy Alvarez owner who, apart from that one, only had top-shelf instruments costing thousands more. I think that says something. I played the expensive Taylor but wasn't going to spend four grand plus. After a while I went cold on the idea and bought other things. (Which cost even more, but that's another story.)
Fast forward to late last year. By that time I'd owned a completely different baritone for about 12 months. (More about that shortly.) I met another (or just possibly the same) Taylor 8-string, second-hand. I played it fairly thoroughly and couldn't warm to the tone. Possibly that was just dead strings? I said as much to the shopkeeper. Next time I went in, he'd sent away for some new strings and put them on (8-string baritone sets are not something most shops have lying around), and also dropped the price quite a lot. I played it again and came up with the same answer: it just didn't do anything for me.
That other one I have (bought at the same second-hand guitar shop the year before) is an old Tacoma Thunderhawk. It is a very different thing, and the key, in my opinion, is the scale length.
A standard guitar has a 648mm scale. A standard bass is 864mm. The low string on a baritone is typically tuned to B - half-way between a guitar and a bass. A good first approximation to a sensible scale length for it, then, would be about half the difference, say 750mm or so (possibly a bit less because you have to remember the treble strings too unless you are going fan fret). Alas, nearly all baritones have much shorter scales, which is why they often don't sound so good. They lack snap and definition on the low notes, and as any bass player knows, the lower the note, the more important it is to have some edge on it to make it kick some arse.
My Thunderhawk was designed to be tuned to A and has a 737mm scale. Tuned to A it is nearly as flubby and lack-lustre as most acoustic baritones in B, but tuned to B it is vastly better, and tuned up to C it is downright awesome. It has the bark and growl of a cello - another instrument tuned to C as it happens, and with a fairly similar scale length. The difference between that and those two Taylors is huge. It is more alive, more vibrant, more present. The Guild baritones I've seen (but only on You-tube, not in real life) are more similar to the Taylors than the Tacoma.
The Alvarez has a semi-respectable 704mm scale. Compare with the Guild and the Taylor at only 686mm. Possibly this is why my friends thought so well of the model.
I only know of three baritones in this price range (I'm sure there are others, these are the three I have heard of) - Alvarez, Guild, and Faith. (The Faith is even shorter than Guild at 680mm.) I would certainly want to play before I bought. Baritones are a different world. I love them!
Just playing devil's advocate for a second- you can easily miss something in the shop. I certainly have before! Not saying not to try first- if you can you might as well- but it's not as simple as "Try in a shop first and nothing can go wrong!" In some ways it can be more likely for something to go wrong, and you have less comeback if you buy in a shop (compared to online I mean).
Sure it can but you're not buying blind. You're trying it, checking it over, preferrably away from the other guitars to prevent sympathetic chiming in, if you like
You can check it over- arguably better, with more time and less pressure- if you buy online though.
Granted... I always feel when I try stuff in a shop I have to be persuaded to buy the thing, whereas if I buy online I pretty much want to keep the thing unless there's something seriously wrong with it- I don't really like to send it back unless there's something actually wrong with it (i.e. faulty). It definitely does seem to skew the decision-making process! (Also you may well be out extra postage to return the thing, and there's always the chance something will go catastrophically wrong with the return, too!)
You pays your money and makes your choice... I usually end up going the online route, but then again a large factor in that is being in Northern Ireland where there's not a whole heap of interesting stuff to try. If I lived next door to one of the big English shops, I dare say I'd be a bigger fan of trying stuff first!
Not quite sure what you meant by "feel I have to be persuaded to buy the thing". You mean persuaded by sales? Never do that. The only thing that should persuade you is the guitar itself
EDIT: aah, now I get it. Yes, totally with you if circumstances more or less force you online mate.
But I wouldn't be surprised that a lot of it is the lack of interesting stuff to try here- that doesn't help!
If you get a guitar that you're not sure about, return it. There's no shame in that
example of the guitar you like then find the one you like out of them you will be happy !
Years ago we played what we could get our hands on these day because of choice it can be confusing !
(I am having a second baritone built here in Hobart to the same general specifications (scale length and body size) but in different timbers. There is a thread on that somewhere here, which I must remember to update soon.)
I am a big fan of Guild guitars (and own a very nice little Guild CO-2, which was made in the Tacoma factory) but scale length is scale length and it's pretty hard to overcome. My friend who owned and liked a 6-string Alvarez baritone also owned a Custom Shop SJ-200, a couple of fancy Martins, a Huss and Dalton, a Collings ... the fact that *he* reckoned I'd like the Alvarez made a bit of an impression on me.
All that said, I have never played one or even seen one, so I'm only guessing.
Oh, and be aware that the nut on the Alvarez is only 44.5mm. That's standard for a 6-string, but a bit squeezy for a baritone, let alone an 8-string. (The Thunderhawk is 48mm and I reckon 46mm is a sensible minimum for anything with 8 fat strings.) Sadly, neither the Guild nor the Taylor is any better. You are not going to have a lot of finger room. But I managed OK on the Taylor, so perhaps it's not the end of the world.